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Four middle-aged friends in Florence organize together idle pranks (called zingarate, "gypsy shenanigans") in a continuous attempt to prolong childhood during their adult life.

Ugo Tognazzi as  Raffaello Mascetti
Gastone Moschin as  Rambaldo Melandri
Philippe Noiret as  Il Perozzi
Duilio Del Prete as  Il Necchi
Adolfo Celi as  Il Professor Sassaroli
Bernard Blier as  Righi Niccolò
Marisa Traversi as  Bruna, l'amante del Perozzi
Milena Vukotić as  Alice Mascetti
Franca Tamantini as  Carmen
Olga Karlatos as  Donatella Sassaroli

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Reviews

PimpinAinttEasy
1976/08/15

Dear Mario Monicelli, Amici Miei/My Friends is the third film by you that I watched in the last three months. It was not as enjoyable as Big Deal on Madonna Street or The Great War. One reason could be that it was pretty anarchic. There was no real plot. Just the anti-social antics of a bunch of aging friends, one after the other. Their misogynistic sexual escapades and their picking on the weak and uptight. The film is so politically incorrect. Feminists might throw a hissy fit if they're shown this film. Show it to those bitches. Lol! And it is downright mean. Like the scene where they slap passengers on a passing train. Or call up random women and abuse them. Or pick on a gluttonous man by pretending to be gangsters (they take this gag to the very extreme, it is an important part of the film). Or taking a dump in a little kids potty.Even the aging have a right to have fun and they do so by showing their asses to the miserable society that lives by the rules. Life is mostly heartbreaking and unfair. And even at the end of a fun filled day, you still have to return to your job and other sordid realities. But there is no harm in having some fun. And do not expect society to like you when you have a good time.Like Big Deal on Madonna Street and The Great War, My Friends is also very bitter sweet. The ending sort of drives home this point. Monicelli foregrounds the picaresque nature of the friends but keeps reminding us that not everything is OK. The square characters keep turning up every once in a while.The film has a very non-intrusive background score. It is used in the beginning to set the mood. And then it is played only towards the end.One reviewer said I would not get it completely if I was not Italian. I guess he was right. I know nothing about the social context of this film.Best regards, Pimpin.(8/10)

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mic-hell
1976/08/16

Look. If you're not Italian, or at least you don't speak Italian and you see a translated version, probably you won't get it. I don't know how the various pranks like the "supercazzola" have been translated and how they sound like. Here they sound like pure genius. I know a lot of people, scattered through the nation, that just WORSHIP this film, probably thanks to the fact that this movie is quite an underdog, neither a mainstream film, nor an artistically praised "commedia all'italiana". But who cares about artistical merits. The characters and the situations are so lively like is rarely seen. The film is an humble tale about life, women, friendship and death, with five men using their wits to avoid the tragedies of their lives. It's a lesson about taking life with a light heart, even if things are terribly grim. I think that the final laugh means it's all about that.PS Excuse me for the bad English. I'm Italian and i'm supposed to do a lot of errors!

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Joan Duarte
1976/08/17

Hello from Barcelona again This movie is very good. Actors play an excellent role. Ugo Tognazzi and Philippe Noiret are the best ones. Italian humor is present all the movie. I can't explain with the correct words how good is this movie. I have it in Catalan, my language. The 2nd part is very good but I think the best is the 1st one. Guido Necchi (played by Duilio del Prete) didn't act in the 2nd part. We have Renzo Montagnani who plays a good job but not better than Duilio del Prete. You can see Rambaldo Melandri (Gastone Moschin) in The godfather part 2. He is the old man dressed in white suit who Robert DeNiro shoot with a gun while there is the crowd in the street. Adolfo Celi does an excellent role too, very funny. Also in the 2n part. There is a 3rd part with Ugo Tognazzi, Renzo Montagnani, Adolfo Celi and Gastone Moschin. Philippe Noiret wasn't here (only in 1st and 2nd part). This 3rd part is not so good but it is interesting anyway. We can see Bernard Blier again, who did the role of Niccolo Righi in the first part, the old man who in the first moment believes sugar is drug... You can find the three parts in Internet, in Emule (look for Amici miei). The sound is Italian and very interesting. The 1st part longs around 20 minutes more than the first edition of the film, and shows very funny scenes with the 5 men and Niccolo Righi. There is a pack with the trilogy in DVD in Italy. And I think it should be a 4th disc with deleted scenes, interviews and more. But I think there were some problems and now it is hard to find it. Finally you can enjoy watching Ugo Tognazzi and Philippe Noiret together in the Marco Ferreri film La grande bouffe. I hope there is someday a DVD with English subtitles for all of you. Enjoy! Joan Barcelona

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roberto dandi
1976/08/18

OK, again another Monicelli's masterpiece (based on an idea of the genius Pietro Germi). This movie talks about: friendship, comrade's, love, sex, loneliness, betrayal, fun, sadness, death, sons. In one sentence: it talks about life.There is a lot of FUN in this movie, as the main characters seem to never grow up, they just want to joke about everything, NOTHING is really THAT important or serious to be spared by jokes. The son of the journalist is more mature and serious than his father... remember that we are in 1975 and this is absolutely counter-intuitive!! in that period young people were fighting on the streets for freedom of thoughts, of sex, and for political reasons!! Well, in some ways young people during that period were more socially "committed" than their fathers who wanted to preserve the status quo. In this movie however the middle-aged characters make fun of the status quo: the broken noble betrays his wife for a teen-ager, the surgeon does not care to leave the hospital in troubles for joining his friends, the journalist does not understand his son and never tries to, the architect wants to conquer the heart of a married woman, etc... it's like: "OK, you youngsters do not care about the old moral rules? we, your fathers, too, even more than you..." It's also a sad movie, as this search for continuous fun is a sign that something is wrong in their lives. The architect leaves his new family to join the company for the joke at the train station, as he is fed up with all the problems a real and traditional family provide. Normality is boring and annoying. Fun comes from friends and from breaking the moral or society rules. It's better a good joke (even a cruel one) and have fun than keep a normal life-style and be bored (this is a philosophy that some Italians really have).There is plenty of UNpolitically correct situations... feminist people can be very nervous seeing this movie... remember that it's a movie that reflects a particular culture, the Tuscany of almost forty years ago (the movie is set in the 60's). But real love is not banned in this movie... it's just a cynic point of view (real love ends up eventually, when it becomes normal life). I have seen several times this movie and every time I enjoy it. Also the sequel is good, but the first is just incredible. Do not miss this movie. You'll have lots of laughs and an essay about certain Italian culture.

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