This movie was sort of odd but in an enjoyable way. There was something disturbingly unique about this love story. And you shouldn't get deterred by the fact that it is a Spanish movie.The story is about a clown coming to stay with a circus. Here he is treated as an outsider, and he quickly comes to fall for a young performer in the circus who is in a brutal and violent relationship with another clown who is more than fond of alcohol.This is not your average horror comedy, because the story in "The Last Circus" (aka "Balada triste de trompeta") was fairly well-constructed, but even more so because of the bizarre and outrageous characters. And there is a very nice pace to the storytelling.The movie is dark and gritty, which really helps to set the great atmosphere that permeates the entire movie.However, I don't think that "The Last Circus" is the type of movie that you will watch more than once. But it should be said that it is well-worth your time to sit down and watch it at least once.

In 1937 Madrid, Republican militia conscripts circus performers to fight against the fascist forces. They are overrun and captured. The funny clown tells his son Javier to only be a Sad Clown because there is no happiness. It's 1973. Javier joins a ramshackle circus as a Sad Clown. He falls in love with the wildly beautiful aerial silk acrobat Natalia. Only she's the girlfriend of the volatile possessive owner lead clown Sergio.This is a wild outlandish movie. It's got great stuff but rambling and uneven at times. It opens with a crazy machete wielding clown action scene. That sets up a surreal violent horror but then it turns into something slightly different. It becomes a romantic melodrama with violence. Then the last act turns back into more surreal violent chaos. The changes in the style does hold it back but this is a movie of an original vision.

Laugh clown killA sad clown falls in love with a starlet – and challenges her misogynistic lover in post-war Spain.The logline above is far too simplistic for this multi-genre and multi-thematic film. Written and directed by Álex de la Iglesia, best known in the US for his 2008 feature THE OXFORD MURDERS, brings us a monster mix of mayhem that spans from the Spanish Civil War to 1973. Sort of like Tim Burton on a lot more acid.Soft-spoken Javier (Carlos Areces) survives the war to become a sad clown in a low budget circus. In the show, he plays second banana to Sergio (Antonio de la Torre), the happy clown who is ultra-hostile off stage and keeps the other performers walking on edge due to sudden tirades and extreme violence. His lover is the lithe Natalia (Carolina Bang) torn between Sergio's rage and the safety of Javier. Okay, that sounds like straightforward romance plot number one – but it doesn't come close. This tale engages war, politics, drama, comedy, horror and romance while exploring themes regarding obsession, response to trauma, politically induced Frankensteinian creations, and the failure of dreams within a fascist state. Fascism, whether it is Franco's or Sergio's, is the running thread that holds this wild fantasy together.Kiko de la Rica is the photographic genius that created one amazingly vivid cinematographic ride that even in the daylight never seems pristine or dreamy enough. The world is always tainted – darkened – by something from the edges as well as within the hearts of the characters, and his skill brings this to light frame after frame. The acting is absolutely brilliant and riveting, with Areces and de la Torre going toe to toe at every turn. I can only imagine how mind-numbingly drained the performances had left them. Then again, how could any actor in the film not embrace the quirky and enigmatic characters created by Iglesias? None of the characters were run of the mill or plucked off the shelf like so much Hollywood drek.However, though this falls under the realm of horror, I sincerely doubt many fans of the genre would embrace the movie. This is not because horror aficionados are stupid and only adore slasher films, but this is one of those movies that could easily make someone question the very definition of the genre. And with a multi-faceted feature such as this, horror plays a role, like a character, and does not permeate the tale.Regardless, there's something for everyone in THE LAST CIRCUS, and if you like freaky films that defy description, you should enjoy this riveting feature.

Lately I tend to give every movie that I can't predict more favourable reviews than I should, but I really enjoyed this. My local video store clerks (at the stellar Eyesore Cinema in Toronto, Canada) tend to just hand me a movie to rent when I walk in, so I have no idea what I'm about to see until I get home and put it in my DVD player. Maybe they just know me there, but I thought this one was definitely something. It's strange how so many unlikable characters couldn't stop me from liking the film. I can understand why the film is so polarizing. I gets 1 star reviews and 5 star reviews. That's often the sign that a film is at very least memorable. Totally original, unpredictable, funny, odd, horrifying, cartoonish, very violent, and filled with characters few could relate to, yet ultimately it's all wholly watchable. The Last Circus is sort of like 5 films in one and crosses genres wildly, but it kept me entertained throughout, which is pretty much all I ask of a film.