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The 1800s: scholarly Karl Schiller believes he's found the ring of the Nibelungen, which holds great power. It's at Castle Dracula. His twin, Franz, a gambler, asks if vampires frighten Karl; Karl shows him an Egyptian amulet, which may protect him. Franz takes the amulet and sets out ahead of his brother, arriving at the castle first. There he finds a countess who invites him to dine. Later that night, Karl arrives. Coincidently, it's the Night of the Virgin Moon, a night that falls every fifty years and draws five virgins from the surrounding village to the castle not be heard from again. Can Karl protect his brother, find the ring, and rescue any of the women?

Mark Damon as  Karl Schiller/Franz Schiller
Rosalba Neri as  La Contessa Dolingen de Vries (as Sara Bay)
Esmeralda Barros as  Lara the Zombie
Xiro Papas as  The Vampire Monster (as Ciro Papas)
Gengher Gatti as  The Mysterious Man (as Alexander Getty)
Enza Sbordone as  Tanya the Innkeeper's Daughter (as Francesca Romana Davila)
Carlo Gentili as  The Innkeeper (as Mort Baxter)
Stefano Oppedisano as  Second Villager at Inn (as Stephen Hopper)

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Reviews

Lee Eisenberg
1973/04/01

Italian cinema brings to mind Federico Fellini* and his ilk. Connoisseurs of this probably don't know that Italy spent the 1970s releasing a series of sleazy horror flicks. "Il plenilunio delle vergini" ("The Devil's Wedding Night" in English) is probably most readily available as part of Elvira's Movie Macabre. The Mistress of the Dark spends the whole time commenting on the movie's lack of an obvious plot...and then her Auntie Virus comes and tries to steal the show! The movie itself - about a castle in the Carpathians to which a collection of five virgins gets drawn and never seen again - is fairly enjoyable. There's no shortage of sex and gore. In a way, these horror flicks hearken back to Italy's famous paintings showing scenes of torture and suffering.I don't know if it's possible to obtain this movie on its own. It's the sort of movie that only Elvira, "Mystery Science Theater 3000" or Joe Bob Briggs could present. It's some authentic good times. There's a reason why I got Elvira's autograph at Wizard World last year.Anyway, enjoy Miss E's presentation. Unpleasant dreams!*As it turns out, Cassandra Peterson (Elvira's portrayer) had a brief appearance in Fellini's "Roma".

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ferbs54
1973/04/02

There are roughly 18,262 days in a 50-year period. Thus, I would have to say that the odds of twin brothers Karl and Franz Schiller, in the 1978 Eurosleaze horror flick "The Devil's Wedding Night," arriving at the castle of Countess Dolingen de Vries in Transylvania on the one night in 50 years when village virgins are sacrificed is, well, 18,262 to 1. Still, the viewer can well imagine on which night they DO arrive: that's right, the Night of the Virgin Moon! In their quest for Wagner's legendary Ring of the Nibelungen, which gives its owner almost limitless powers, the brothers (well played, I suppose, by Mark Damon) run afoul of not only the beautiful vampiric countess, but her castleful of zombie retainers, as well. In the role of the countess we have the perfect 10 Eurobabe Rosalba Neri (here called Sara Bay, for some reason), an actress who I only recently became enamored of after admiring her performance as the doomed nymphomaniac in 1971's "Slaughter Hotel." Rosalba, though a talented thespian (and, in this film, lesbian) and much more than just a gorgeous face, nonetheless still looks incredible here, especially when streaked with blood and rising out of a steaming vat. She easily flaps away with the film. But there are still other, modest pleasures to be had here, in a film that ultimately comes off as sleazy shlock. Like another Italian film that I recently saw, 1960's "Mill of the Stone Women," "The Devil's Wedding Night" features a disorienting, drug-induced, psychedelic freakout sequence that comes roughly halfway in. Director Luigi Batzella and composer Vasili Kojucharov's contributions do create a film with some creepy atmosphere, and for all you hound dogs out there, the five virgins that are called to the castle, stripped and butchered are quite a toothsome lot. In all, certainly not a classic or even very good film, but still fun. Unfortunately, this DVD from Shout Factory showcases a very damaged-looking print that is only just barely watchable, and with no extras to speak of other than some snide comments from Elvira. Even this sleazy piece of Eurohorror deserves a better treatment!

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HumanoidOfFlesh
1973/04/03

Two brothers searching in Transylvania for the legendary 'Ring of Nibelungen' fall under the spell of the sexy and evil Countess De Vries(Rosalba Neri)who uses the ring to attract the local virgins to her foreboding castle where they fall victim to her bloody rituals.This soft core piece of Italian erotica offers plenty of sleaze and nudity.Rosalba Neri is the convincing bloodsucker that spends much of the film in an advanced state of undress.In one memorable scene the Countess writhes around in a coffin in the pink while the faithful maid slowly pours a pitcher of fresh virgin blood over her naked body.Unfortunately the action is quite dull and there is almost no suspense.Still if you like lesbian vampire movies you can give it a look.7 out of 10.

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emm
1973/04/04

If Rosalba Neri's (credited as Sara Bay) seductive charms are plenty enough to tease on your vital mammaries, then you must see this one. That's why Italian horror movies such as THE DEVIL'S WEDDING NIGHT focus more on sex to compliment the genre. Eroticism aside, it isn't all too horrifying. The classic vampire-ritual movies had their place in the theaters long ago, but it's turned into pure camp now. There's hardly anything in here to please the most die-hard horror sickies other than its erotic nature, despite some occasional dark chills. The most popular scene is Neri rising naked while drenched with blood. The rest is strictly exploitation fare. See this only if you have the strong desire to become addicted to seductive beauty. Otherwise, it's just plain outdated with nothing but old-fashioned vampire fun and plenty of sex to see.

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