A group of shipwrecked sailors brutally rape two young woman and the woman re-emerge after making a pact with the devil to get their revenge.More of the same from Jean Rollin. The music is improved here, but the plot makes practically no sense. Some people have tried to defend the film by saying it should be seen as an "art" film. Rollin does indeed have a unique view of art.If you want to see more of the same nude women and pointless sex scenes, this is for you... but as far as plots go, this is not one of Rollin's stronger films. But it does have a clown... so, I guess that might be good?

If you are here for the rape, you have wasted your time. The scenes are a joke. Even worse, the supposed killing of the two girls (Lieva Lone, Patricia Hermenier). The acting was atrocious.Now, if you want to see Joëlle Coeur (Fly Me the French Way, Seven Women for Satan) fully naked, and engaging in sex with John Rico, that's a whole other story.The Captain (Rico) hardly has time to enjoy the aftereffects when he is visited by apparitions of the two girls. Maybe it was just the booze.The girls do eventually reappear only to escape and find an old castle guarded by, believe it or not, a clown. Not a court jester, but a clown. Strange.They go through the transformation to become demoniacs, and, I am glad to say, sex is part of the transformation. Yes, there is the usual mumble jumble ritual, but there is also orgasm.Don't expect a lot of gore in this film. It really doesn't make sense in a lot of scenes. You'll see what I mean. I think Rollin may have been trying to make an art film instead of a horror film.It is a shame that Lieva Lone and Patricia Hermenier did not stick around to do more films, but another chance to watch Joëlle Coeur is always worth the time.

The first scene on the beach with the young girls rape and attack is very good and the next one in the bar with them appearing as ghosts too... Unfortunately the movie doesn't go on like that all the time. There are good and bad moments but the scenes of nudity with Joelle Coeur are erotically very good. The story of the demon in the ruins doesn't appear very clear, nor does the clown's and the ruin's keeper destinies... But all in all there is a good atmosphere even if some scenes are a bit too long and some of them are great, like the one where the religious statues fall one after each other on the ground. Jean Rollin knows how to mix sex and horror, as well as many other authors of that 70's era. A good moment but that movie could have been better again...

This is not one Jean Rollin's greatest works, but it does have one shinning light, Joelle Coeur, the gorgeous female wrecker. Like all of Rollin's films (that I have seen) this one is full of all his artistic visions, but for some reason the film still seems slower in it's pace and is a little more difficult to get into. Like all Rollin's film it's worth watching, but in this instance, only for the gorgeous Joelle Coeur.