Robert Hansen, 34, a young police officer from Copenhagen, is transferred against his will to the small town of Skarrild in Southern Jutland as a substitute Marshall. The transfer is Robert’s chance to start over. Whether he is allowed to return to his job in Copenhagen, all depends on how well he performs in this frontier town.
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Terribly Happy - a purposely reflexive and ironic title - begins by drawing the viewer into the world of Robert (Jacob Cedergren), the young constable who has been transferred to a tiny town in a remote part of Denmark. He is guilty of ... something. "So - you snapped, eh!" remarks his superior officer. Hence Robert's transfer is implicitly a punishment of sorts....The town - situated on a bleak, boggy, barren plain - is peopled with a community who quickly show Robert he must adjust to their way of handling troublesome situations: help for a local domestic violence plight of a woman, Ingelise (Lene Christensen), in fear of her husband, Jorgen (Kim Bodnia) and who doubles as the town bully; Robert slaps a young shoplifter to the ground at the urging of the shopkeeper, instead of charging the young offender; he is forced to accept the cat left behind by the previous constable who apparently disappeared - as did the owner of the bicycle shop where Robert goes to have his flat tire repaired. Moreover, washed clothes must hung out only in a certain way.Such confusion just gets worse when the apparently beaten wife seems to want an affair with Robert. He tries to resist, but an unaccountable drive spurs him on to an illicit relationship. Add to that the little girl dressed in red who, every evening, walks her dolls in a squeaky pram up and down the main street. And while the customers at the local bar seem to regard him with reserve, even disdain, a local trio of card players urge Robert to join in to their almost perpetual card playing.Throughout all of this, Robert also attempts to solve the mystery of those who disappear into the local bogs ... or somewhere. A murder, although accidental - or was it? - occurs; and finally Robert tries to protect Jorgen, who is absolutely innocent of the crime, from community retribution.... So, what sort of a community would resort to such a litany of oddball actions? Where, exactly, is this troubling town anyway? And, why does Robert comply - so readily, it seems?The bizarrely confused nature of Robert's situation strongly implies more than simply a lone copper up against a bunch of feral farmers. Exactly what that is, I leave up to each viewer to decide. For inspiration, I'd suggest thinking of Psycho (1960), Spellbound (1945), particularly Lost Highway (1997), Bug (2006) and Shutter Island (2010), all of which center upon a character in the grip of a psychological nightmare.The acting is adequate, as is the production. Kim Bodnia is always effective in creepy roles - or any role, in fact. The structure and direction are suitable for the development of occasional suspense and muted terror. Only the ending lacks real punch, but does provide adequate resolution for me.While I'm not terribly happy about this outing, I still recommend it for those who like, as I do, Danish drama. Give it six out of ten.September 6, 2014
Nicely done. I am glad I picked this one out. Kind of movie you'd like to watch on a lazy moody afternoon. It will perk up your interest and will get you ready for the evening! Trust me you won't get bogged down! The film is set in a bleak Fargoesque landscape and begins to build up slowly. I found a couple of situations in the plot that could be a bit far-fetched and probably could have been done better but this doesn't affect the overall quality of the film. Even with a low budget the director has come up with a remarkable suspenseful and to an extent, a film with a moral. So go on, get some pop-corn on and get settled in your favorite spot. Go out for a beer later - preferably the local beer joint!
I just rented the DVD the other night and was really excited. I had been looking forward to this film for a long time because of all the good reviews it had received..I was deeply disappointed. You can tell the main plot instantly, the characters are stale and not lovable at all. There isn't really any great attempts on humor in the film and the pace is very very slow.There are so many other movies about small local communities in all genres (Needful Things, Sleepy Hollow, Italiensk for Begyndere (DK), Hot Fuzz, the TV-show League of Gentlemen etc.) and Frygtelig Lykkelig is just not up to par.I'm sorry to say I can't recommend this movie.Try these Danish movies instead. They are guaranteed to make you laugh:Blinkende Lygter, En Kort En Lang, Grev Aksel, De Grønne Slagtere, I Kina Spiser De HundeIf you do watch this movie however, it will leave you with many unanswered questions and a feeling of unfulfillment and disappointment.
This was one of my top 5 films at the 33rd Cleveland International Film Festival.In the introductory narrative we are told that "all the events are true". A short story is told of how a cow was stuck in the bog, dug out 6 months later and gave birth to a two-headed calf (one human, one bovine). This sad animal causes distress to the town and is put back into the bog.Well. We may not know where this is going, but it's sure to be interesting.Robert (Jakob Cedergren) has a troubled past in Copenhagen and is re-assigned to a remote Danish town, where he is quickly embroiled in its odd business. Does Jorgen (Kim Bodnia), the local force to be reckoned with, actually beat his wife Ingerlise (Lene Maria Christensen)? Is that why their daughter takes her dolly for a walk in the evening, with the squeaky wheel heard by all in the village? Why is the bicycle shop deserted, but the music blaring? And what is in the bog? The theme of the small town that runs by its own rules is well presented here. No one wants to get the "big city" involved. Abuse is known but ignored. The Marshall fits in in that everyone seems to have a secret in this town. A twisted ethic exists in just what needs to be done, whether the Marshall is supposed to punch out a pre-teen shoplifter (if he doesn't, Dad Jorgen will), you are supposed to say "mohn" instead of the usual Danish word for hello, the doctor supplies narcotics to the hairdresser/call-girl, and your clothes need to be put on the line to dry in a just-so order. And what do you do about the abused wife, who may just be playing her version of crazy with the newest Marshall? The various plot twists, the machinations of the local card-playing cabal looking for a new fourth, the (lovely) cat who says "mohn": all provide fit companions to the Bog. The Bog is metaphor here as a place where secrets reside, the past sometimes remains hidden and the future lies in wait. The bog is as much a character as the townspeople and the townspeople are the bog.The film alternates between disquieting views of the flat fields and frenetic twists (big and small) in the plot. I could not imagine a single scene being left out. Lovely and tense, this Euro-Noir film is well acted and well filmed; a good bet for those who like quirky and creepy.