One of the most ambitious films I have ever seen and it delivers throughout. The visuals are stunning, the score plays a significant role in the atmosphere and the use of child actors adds fundamental new meaning to the original stage play. It's a philosophical view on good and evil and tackles the big questions of life via poetry, history and surrealism. Though made to look like a dream, it touches on profound questions of reality.One scene which was particularly though-provoking was the one in which a woman gives birth while standing above an open grave. The cycle of life and death, hinted at by the quote from Ecclesiastes right at the beginning, is here taken to its visual extreme. This harrowing image is followed by a very serene sequence, portraying the eternal peace of the deceased.In all of this the choice for child actors adds extra layers of meaning. Their very age seems to comment on the issues shown: death, violence, injustice and so on. There is a lot of blood and a lot of lust shown on screen, but the actors are still playing hide and seek and let's pretend in real life. It's that mixture of playful innocence and adult history, adorned with some of the most beautiful literary quotes, which gives this film its daring and unique style.One of the themes running through the film is the question of how we look at the world, at ourselves and at history. The movie challenges us to open up and accept unusual viewpoints, which is what all great art does, in my opinion. It's necessary, especially when confronted with violence and injustice and forced to look for solutions.I do admit it's trying at times and it was mostly out of curiosity to see this remarkable achievement all the way through that I watched the whole thing. Still, it left me with an impression unlike anything else I have seen before. I wonder what the actors think of the film now that they have all grown up and how they look back on their experience in making it. Maybe it felt just like a dream.

This is probably one of the most dense films ever made. For that reason, Angyali üdvözlet will find a very small audience. But if there is one thing that this film does very well it is creating some very good surreal visuals - and this is not to be understated. Surrealist film lovers should make this a must see.At its core, the film is about Lucifer's premonition of the tragedy of mankind as told to Adam and Eve in a dream after they are banned from Eden. The dream starts at Athens, where Adam, Eve and their son find themselves at the wrong end of the first form of democracy, which is an irrational mob rule - they are the "royals" and when Adam fails to deliver the wishes of the people, he is killed.Adam later finds himself in Byzantium as what I can only speculate, a Roman soldier. At this point, the film kind of becomes confusing to anyone who isn't highly educated in European history. So after this, the film is technically very hard to follow, but visually, it's a kind of surreal experience. It goes to periods in the history of western civilization which are some of the most bloody and repressive. Lucifers plan here in telling these premonitions to Adam and Eve was to try to get them to end their lives, because if they did, it would prevent all of these future tragedies from happening.There are times where you can tell that the film was probably rushed through post production. But overall, it's a miracle that such a film was made in the first place. It's a cast composed entirely of children, but they do quite well at taking direction from Jeles. You can tell that their performances were a kind of "you stand there" kind of thing. While Adam, Eve and Lucifer are the only characters with character, the supporting cast's mechanical performances create an appropriate contrast and set the mood of the film quite effectively.My biggest problem with the film is the VHS transfer; it's terrible. I can only hope that in the future this film is given proper distribution. But it is so obscure I doubt it ever will.

The Annunciation is a film which you should watch when you have nothing better to do on an otherwise humdrum day. From the first to last this movie is a kaleidoscope of images, created to mesmerize the mind. Director Andras Jeles uses child actors to weave a visual tapestry of Godly virtues and human weakness intertwine with historical events. Somewhere between the Creation of Man and his Redemption, the viewer is set adrift in a sea of spectral images, who' purpose is known only to the director or to Pablo Picasso. Despite some provocative moments such as baring all with a nude Adam and Eve, the collage of words and historical settings the film overwhelm the viewer and destroys what little message the director intended to impart. From a Western point of view this film is far too complicated to be easily absorbed and thus fails to be recognized as anything but an art form gone mad.

Some movies tell a very good story, others get lost in the imagery and scenes. This movie falls in between both of these cases. I think it starts off telling a great story and from an unique perspective. As the story continues though, it becomes more and more obscure in the historical imagery and myths. By the time the movie ends, you are just grateful to make it until the end, but not without dozing off from time to time.Believe it or not, I still enjoyed it, just don't make a sequel, please!