As the police launch a full-scale crackdown on organized crime, it ignites a national yakuza struggle between the Sanno of the East and Hanabishi of the West. What started as an internal strife in Outrage has now become a nationwide war in Outrage Beyond.
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More dialogue and less action than the firstThe Sanno Clan has gained much power since the conclusion of first film . After his partner dies and his death is covered up , a Detective looking for vengeance teams up Otomo and a former rival of his for a three-way payback in bringing down Sanno Clan and all the traitors within .. To get the extra muscle they need , they make a pact with an outsider Yakuza group , the Hanabishi .
Takeshi Kitano's OUTRAGE was one of the best films I saw this year, a top-tier Japanese yakuza flick with all of the hard-hitting violence and dense plotting that you could wish for in a film. This follow-up carries on the same story thus was a welcome addition for me, even though it's not up there with the quality of the first.The main issue I have with BEYOND OUTRAGE is that the pacing is a lot slower than in the first film so that you're sitting around waiting for the proper plot to kick in, especially during the first half. Plus, a lot of the plot twists and turns are rather unsatisfying, whereas the satisfying material is rushed over quite quickly. Kitano goes out of his way to avoid copying the sort of scenes we had in the first film but as those were my favourite bits I can't help but be a little disappointed.Still, this is nevertheless compelling filmmaking with top direction and acting. Kitano is a more than welcome return as actor although his acting is more subdued here and he's keen to give the other returning stars more screen time and meat to get their teeth into. There are some fine set-pieces again, the most memorable involving baseball, and as a whole the movie has an air of quality and authenticity that makes it work. BEYOND OUTRAGE feels very much like a classic samurai movie, albeit one in a modern setting.
"Beyond Outrage" is the sequel to star and auteur Takeshi Kitano's epic of rival yakuza gangs "Outrage." This film is thrillingly lensed in the way that erstwhile widescreen masters such as Kurosawa and Nyquist used the full frame, and done so with a quintessentially oligochromatic Japanese patina. The story has grandeur of conception, keeps you rapt, and slickly amps up the badness of some very bad guys. The violence has larger quantum numbers than the comic book idioms of Tarantino, but is deployed with panache and grace. Among the film's climaxes is vanguard violence that will permanently prefigure how you regard baseball! Here's hoping "Outrage" becomes a trilogy.
I was waiting for a while to see this film and was totally shocked to find out there was a sequel to it's 2010 predecessor. The 2nd instalment is more composed and deals with the politics and characters on a much deeper level. After watching it I am curious as to if this was one screen play cut into 2 films, or, if Tekeshi and co decided to write another script after the original. Outrage Beyond is a solid piece of crime cinema. The themes of corruption, loyalty, redemption and honour are explored on multiple levels. I loved the cinematography and was really impressed with the solid performances throughout the film. My pick of a great bunch was Tomokazu Miura's portrayal of the aged and weary "Kato".The ending solidified this Kitano outing as a classic. Great film.