I don't know why at least two people in other comments write about „flood caused (probably) by global warming".To me, the flood is purely metaphorical. It's the time that is cruel and forces us to move on, to the next stage of our lives even if we don't want to, because we feel happy where we are, even if we maybe would like to stay there a little bit longer. But we cannot. The rising water forces us to go on. There's no exception.The old man from the movie travels back in time to watch again the memories of his life but also, as we all know, he becomes aware all those moments are absolutely gone. It's not possible to live underwater – we can only submerge for a moment to have a look at what is there that is all we can do.This is a movie about life, about being old and lonely, NOT about the global warming nonsense.

Until this day I've never wanted to post a comment even on my favorite movies, but I could not help saying a word about this loveliest, brilliant little animation. When I watched it for the first time I had a feeling of warmth, serenity and happiness. I was happy that human beings can still create such beautiful things in this world. I am amazed at how the director managed to put so many feelings and thoughts in this tiny piece of animation and I want to thank Mr. Kunio Katô for doing that. My congratulations Mr. Katô, you've added a beautiful piece to the art of animation :) And at last but not least I want to mention the music of the movie, it PERFECTLY fits every inch of the film and creates a harmonious unity of sound and image. I hope you will enjoy watching La Maison en petits cubes as much as I did :)

Like last year, I went to a special showing of the Oscar-nominated animated short films. However, unlike last year, in addition to the nominees, several "commended films" were also shown. In this review I'll make my predictions, though if it's anything like last year's choices, I'll probably once again pick the wrong shorts as my favorite for the award.The film features an old man living alone in a town that has become submerged. His answer to the slowly rising water is to keep building on to his original home--like placing cubes on top of cubes to keep out the water. When he loses his favorite pipe, he dons scuba gear to retrieve it. As he descends and sees the earlier levels of his home (now submerged) he relives in his mind his life and loves. It's all very sweet and sentimental.I saw this film with a friend and he liked how the scuba diving was a great plot device. He loved the metaphorical aspects of the film. As for me, I wondered if perhaps there was actually a secondary reason for the submerged homes--to draw attention to global warming. He didn't see it and perhaps I am just reading this into the film, though I still suspect the film is trying to preach to the audience about this supposed threat.The story was slow but very sweet--accentuated by a nice hand-drawn look and the gauze filter used to enhance the print along with evocative music. Oddly, while the film maker is apparently Japanese, the title is French and the art work doesn't really look Asian-inspired at all.Of the five films nominated, this is probably my third favorite. It was extremely creative and unique, but I still think the award will either be taken by PRESTO or my favorite, THIS WAY UP.UPDATE: LA MAISON EN PETITS CUBES was the winner this year. Not surprisingly, I got this one wrong but at least saw the film as a strong contender.

As much an example of the beauty of ever-less-present hand-drawn animation as well as an ode to the slow passage of time, this short film from Japan is an extended metaphor for how things slowly get washed away over time. An old man surviving in his one-room house above the tide drops his pipe into the deep waters that have sunk the foundation of his home up to several stories high. Finding no other pipe suitable as his trusty old one, the man rents some scuba gear and dives down to retrieve it, only to be hit by a flashback of his dead wife. Delving into further rooms, he is hit by memories of the past, all the way back to the foundation of the house itself.The tone is perfect and firm in this animation, both in the drawing style and the music. The film breathes nostalgia and loss, which can also say something about its old school hand-drawn animation and even to the sepia tones of silent film. It's a love story in reverse, too, as the man goes from a place of isolation and loneliness to a full life filled with love and care before your eyes.--PolarisDiB