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Trailer Synopsis Cast Keywords

Embarking on a journey to fulfill her dreams as a dancer, a young girl discovers a new style of dance that will prove to be the source of both conflict and self-discovery.

Mary Elizabeth Winstead as  Lauryn Kirk
Riley Smith as  Russ
John Reardon as  Joel
Tessa Thompson as  Dana
Ashley Roberts as  Brooke
Julissa Bermudez as  Carmen
Karen LeBlanc as  Brenda
Terry Ray as  Birthday Party Guy
Michael Xavier as  Marcus
Ernie Pitts as  Bouncer at Malcolm's

Reviews

SnoopyStyle
2008/12/09

Lauryn Kirk (Mary Elizabeth Winstead) from a small Indiana town goes to audition for the Chicago School of Music and Dance. They want real emotions and reject her. Her car gets towed and she is unwilling to admit defeat to her brother. She gets a place to stay from Dana (Tessa Thompson) who helps get her a bookkeeping job at the burlesque club Ruby's. Dana is one of the dancers and Russ (Riley Smith) is the music director.This is a worn-out formula. The plot is a copy of every other one of these dance movies. This has to distinguish itself with great dancing but there is nothing exceptional here. Winstead is not a big enough star to carry this although she does have that wide-eyed innocent quality. She's tall and lanky. She fits the character but the movie is not special.

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njmollo
2008/12/10

This film is trash. Pure and simple. Zombie Strippers has better dance sequences and for that matter much better editing as well.Mary Elizabeth Winstead does not convince and her rhythm and grace are truly suspect. I think that might be one of the reasons she pulls a hoodie over her face so the double can step in.There is nothing better than seeing beautifully performed dance on camera. Bob Fosse and Michael Jackson come to mind. They at least had the confidence to show dance moves in entirety without the use of earthquake-cam and rapid cutting.There is no substitute for talent and there is none on show here.

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Gordon-11
2008/12/11

This film is about a young woman who works against all odds towards achieving her dream as a dancer."Make It Happen" is a predictable feel good movie. It has got all the ingredients to be a cheesy film. It has trendy danceable music, cool dance moves, great looking people, the jealous enemy; even the obligatory shopping scenes! As for the plot, there is no beating around the bush. Just six minutes into the film, there is already a dance audition. The pacing is fast, but it does not feel rushed. The dance moves are energetic and vibrant, which makes it a joy to watch."Make It Happen" gives the right youthful energy which makes viewers feel good. It is a great popcorn flick to turn your brain off. Just forget all the clichés, sit back and enjoy it.

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fitri_small
2008/12/12

It was no surprise that, throughout Make It Happen's 80-minutes duration, one would find this latest dance flick (helmed by occasional music director, Darren Grant) riddled with the most tiresome and obnoxious clichés that the genre could offer across its existence. Yes, to be fair, the film seems to be borrowing each scene from similarly plotted features. Yet, in one way or another, Make It Happen seems to present all of them just that better.One of the flick's greatest and most undeniable asset would be lead Mary Elizabeth Winstead, who displays some of her best work here. It's hard not to swoon for Winstead, who switches from ferocious, limb-swinging urban dancer to ingénue, down-to-earth, corn-fed small town girl with impressive and flawless flair. She seems born for the role, radiating an unbelievable amount of charm, and drawing life into a well-written character. Despite having been supplied with a prosaic script, Winstead performs admirably well, both on and offstage.Regardless of Winstead's poetic beauty, the film lacks a substantial screenplay, and every line feels tacky and uninspired. It's safe to say that the film is no more scripted than it is choreographed. Adler's libretto felt unremarkably familiar, and, with or without hindsight, you could almost tell how the film will unfold before the lights dim down. It was fortunate that the rest of the troops, though never coming close to stealing the show (leave that to Winstead), played their - stereotypical - parts adequately, with the provocative Julissa Bermudez standing out exiguously.The film's lack of flesh on show is an affront to the cast's sensual, slinky sex appeal, and it is hard to find that the clubgoers are majorly made up of cheering females, rather than drooling guys. However, the dances are already enticing in nature, so more skin would not have been necessary, but simply more effective. Speaking of, the dance sequences are entertainingly beautiful, aided with a catchy soundtrack, and as a whole, undeniably a visual and aural delight - a testament to the eyes and ears.Make It Happen is not much a film rather than a montage of energetic dance romps, connected solely by filler sequences enlaced with drama and romance. That said, they are good sequences of drama, as Winstead's verisimilar approach to her character enlivens each of the film's dramatic scenes. The same cannot be said for the sequences of romance though. Try as they might, the pairing of Winstead and Smith lacks chemistry, and as a result, the film is forced to present a dull romance that you couldn't care for. It doesn't help that Smith's character is near unlikable - as another critic put it - "a smarmy douche".All the same, Grant's experience in the music video industry helped a lot here. Stunning cinematography entwine each scene, and the dance sequences are nothing short of being optically magnificent. Although there might not be much to entertain those with a passionate dislike of this variety, it is nevertheless a fine installment into the dance genre. Make It Happen passes as both a short, drama film entwined with great dance sequences, and an overtly long, energetic music video interweaved with filler drama scenes. However you put it, I believe Make It Happen is still a decent film.Verdict: Darren Grant has crafted an enjoyable popcorn dance flick, an improvement over the recent additions to the genre. There's still much room for improvement, but Winstead's soulful performance atones for much of the flaws. Nevertheless, its feeble screenplay and extremely predictable fade-out could not go off easily unnoticed.

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