Yorkshire, 1974. Fear, mistrust and institutionalised police corruption are running riot. Rookie journalist Eddie Dunford is determined to search for the truth in an increasingly complex maze of lies and deceit surrounding the police investigation into a series of child abductions. When young Clare Kemplay goes missing, Eddie and his colleague, Barry, persuade their editor to let them investigate links with two similar abductions that draw them into a deadly world of secrecy, intimidation, shocking revelations and police brutality.
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well i very eagerly started to see the first movie of this trilogy & really enjoyed it for good 30-35 minutes. i won't hover over the storyline or the direction because it is based on a book & the mood and settings of the story doesn't allow the director to experiment with the plot or screenplay sometimes so benefit of doubt goes with the director.i would like to throw light on my findings.well the speed of the movie is way too slow as the events take more emotional turns then the kind of genre the original book claims to be.With due respect to the author of the book what i mean to say is that if you are making/writing a suspense or crime drama you have to keep feeding your audience or readers with enough doses of shocks or twists every now and then; which is missing in plenty here. though i understand that every crime drama cannot be all about bloodshed with dozen murders to tell a tale but when i saw the movie my heart & mind were longing for elements which make a mystery movie tick in the minds of the audiences.i enjoyed the first half an hour but after that i kinda lost it..police is beating a journalist.. well if you want to scare someone why not hire a couple of pro's for it.. why give a hint that event the law is involved in this. A clever enemy never shows his identity. but if the main purpose of the book was to portray social & political background like corrupt lawmen & capitalistic industrialists then i would have seen the Blood Diamond, Syriana or something like that..but when i go for a suspense & crime movie well you can't overshadow the suspense shades of the story than emotional part there must be a balance which was missing according to me!! Another thing which seemed odd to me the very reason given by the main culprit in the climax just was not digestible because that was the very first reason which forced the lead character to begin his investigation so i am not complaining but i was shocked because i have read many fictions and never came across something so short & plain that it seems childish well again i know that the writer must have had his own reason & thought process to justify the events & their outcomes but they were not worth a movie making material.so for me it started on a good note but it disappointed me in the last one hour or so. It is a good reading material (the book)not for screen adaptation( at least this part)!!The lead actor has given a powerful performance but otherwise not much to do for others.I respect the original writer it was production company's shortsightedness to adopt the story for silver screen. watch it if you can handle out of the league movie with similar thought process story! my rating 6/10.
I must have missed something while watching "Red Riding: In the Year of Our Lord 1974" because I did not see a spectacular film as some tend to say about it. What I saw was a well made film but nothing so outstanding about a journalist trying to stop a serial killer who murdered little girls back in 1974. Eddie Dunford (Andrew Garfield) is a persistent yet very naive journalist trying to solve the case behind the disappearance of some girls from the surroundings. The more he goes with the story he'll find more and more trouble, to the point of having a strange tendency of getting punched by corrupt cops who don't want him near of the people who might know what's the truth behind the deaths. Haven't we seen that before?The film wasn't strong enough to make me feel deeply interested at certain parts (the course of Eddie's investigations are quite boring, so in order to lift things higher the director gives us lots of sex scenes, a little bit pointless but interesting to see, specially because Garfield is in all of that). It's very well made, well acted specially by Garfield and Sean Bean, who plays a powerful businessman. The historical reconstruction, art direction and costumes (the corny pants Andrew wears are priceless) are really good. But I'm a little saturated of plots like that, very surpriseless and very obvious. So, I made my point of what works in this piece. If you think you should see it go forward. It's up to you. Totally recommendable for fans of Garfield, Bean, Eddie Marsan, Peter Mullan, David Morrissey and others. 6/10
I missed this trilogy when it was first shown on TV, heard great things about it, and finally caught up with it when they repeated it recently.A mystery about a series of child abductions eventually turns out to be more about corruption in the Yorkshire police than anything else, but boy what a production! This has to be one of the darkest, most downbeat slices of television I've witnessed, and yet it's so well made, so compelling that you can't stop watching.Garfield's cocky journo wasn't my favourite of the series leads - I felt no sympathy for him - but what a supporting cast! Sean Bean headlines as the big name, but it's a shock to see friendly favourites like Warren Clarke playing complete bastards.The story meanders with one too many sub-plots to easily follow, but things gradually become clearer as the trilogy progresses. More than anything I'm reminded of Scorcese's TAXI DRIVER as a similar story of one man's disintegration...
RED RIDING: IN THE YEAR OF OUR LORD 1974 – CATCH IT ( B+ ) The Red Riding Trilogy caught my attention Once I heard about Andrew Garfield signed on to play Peter Parker in SpiderMan-Reboot. Red Riding is a mixture of the real events collaborating into factual events but nonetheless it's really enjoyable with all its creepiness. The movie starts off as young girls getting kidnapped and brutally murdered and it end up becoming more than just a Kidnapping, Murder mystery; it becomes more of a political Bonanza. Andrew Garfield is a Phenomena; I'm just amazed how ease and brilliant he is as an actor. You see an average looking geeky guy and when he acts he blows you away. I first saw him in "Boy A" and was literally stunned by his honest portrayal, it was just outstanding. Then I saw his comic timing in "The Imaginarium of Doctor Parnassus" which was another exciting experience. Now since he is making big waves through trailers of "Never Let Me Go" and "The Social Network", it was my pleasure to watch his gritty & Cookie side in "RED RIDING: IN THE YEAR OF OUR LORD 1974", Andrew blew me away with his cockiness, grittiness and wickedness. Rebecca Hall is picture perfect yet again, she may not have a star power but nonetheless she is one of the talented British actresses around. Sean Bean & Robert Sheehan did a fine job. Overall a gritty and wicked movie which at times becomes too much to digest but maybe the novel was as complex as the movie was, a good attempt so I be watching the next two movies in Red Riding Trilogy as well, but sadly it doesn't have Andrew Garfield.