It's 1980 Vermont. Les (Ethan Hawke) is brutally honest in telling his son Jude that he's adopted. Years later, Jude Keffy-Horn (Asa Butterfield) is an emo teenager living with his adopted mother Harriet (Julianne Nicholson) and his sister. His best friend Teddy (Avan Jogia) is desperate to move to NYC and contact his older half-brother Johnny (Emile Hirsch) living there. Les' girlfriend Diane (Emily Mortimer) has a daughter named Eliza (Hailee Steinfeld). It's a dysfunctional alternative family drama and the grimy East Village gets gentrified.It's often jarring when a lead character dies early on. It's also a little convoluted that Les and Johnny happens to live in the same area. The story would be a lot easier if the three kids go to NYC to find Johnny. Instead, the plot takes strange turns into a weird love triangle. The actors are superb but I'm not sure what to think of their characters. They make me want to stay with them... up to a point. I love these actors so much but the story doesn't live up to them.

Reviewers keep complaining about the drug use, sex, and irresponsible parents. Umm, that HAPPENS. In real life. More than you realize. I found the acting very well done, yet, the characters, or writing, was... uneven. On one hand, neither the characters nor the plot goes in any direction you think it is going, which most viewers tend to love. However, the setups, swerves and everything we learn is all for nothing, since.. neither the characters nor the plot goes in any direction even hinted at. Characters can spend the first 2/3 of the film complaining about the same thing (adults pushing what they want instead of what the teen wants), make multiple huge dramatic deals about it, then inexplicably change mind to agree with them, from no motivation whatsoever. There are also a couple subtle hints concerning one particular relationship, but everything else heard and done contradicts what happens or what we assume is happening. I really liked most of this film, and WANTED to like the rest but maybe it tried too hard to defy our expectations without earning it or trying. {It would be like watching a film about an interesting Christian Kansas farmer who takes classes in law school then decides to become an Atheist surfer with no reason for any of those out of nowhere decisions other than "just because the character decides to out of the blue".} Instead of "surprising" by being different, it was confusingly frustrating to watch this pointless journey. Still not sure if that's a good thing or bad thing in this mostly unoriginal Hollywood blockbuster era.

Based on the novel from Eleanor Henderson, 10,000 SAINTS is a classic styled drama set in New York where we follow some young and confused teenagers growing up and their crazed dysfunctional parents during the sex, drugs, and rock 'n roll era of the eighties. The first part of the film is really explosive and gripping but the further on the story goes it seems to get a bit stuck but keeps it curiosity until the end. This nostalgic trip through life gives you both smiles and tears while touching your heart and is a reminder of how fragile and short life is. A well-directed and written story by Sundance winners Shari Springer Berman and Robert Pulcini (American Splendor) with impressive performances from this odd mixed but great cast featuring Ethan Hawke, Asa Butterfield, Hailee Steinfield, Avan Jogia, Emilie Kirsch and Emily Mortimer.

I wound up liking this a lot more than I thought I would. For the first 20 minutes or so I felt it dragged but then picked up. Overall I thought the acting was excellent, especially Ethan Hawke who played his somewhat complex character splendidly. What I really liked was that most of the characters stepped outside of stereotypical bounds. Hawke's character was a stoner, but in some ways level-headed and responsible. Johnny, the punk singer and tattoo artist, was trying to stay straight and walk the spiritual path and succeeded reasonably well. I read other comments which complained that "nothing happened" in the film. This is not an action film; it's a relationship movie, and given that, I believe it worked well. Plus, the characters all showed some degree of evolution. The scenery, with 1980's East Village was done really well too, very realistic, Twin Towers and all.