After learning that a brain aneurysm will kill him in about 90 minutes, a perpetually unhappy man struggles to come to terms with his fate and make amends with everyone he has ever hurt.
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Unsatisfying. I hope this was not Robin Williams' final movie. Poignant because it concerns the death of the character he plays. For this reason only was I able to watch it to the end. Not a good reason to view a film. But I wanted it to improve, even after the embarrassingly insensitive stuttering scene with James Earl Jones.
"Henry Altmann" (Robin Williams) is having a bad day. On top of that he hasn't been feeling well lately so he goes to the hospital to see his doctor. When he gets there he waits for over two hours and is then informed that his regular doctor isn't in and he is seen by "Dr. Sharon Gill" (Mila Kunis) instead. After getting quite upset by this turn of events she proceeds to tell him that he has a severe brain aneurysm. This news causes him to go into an hysterical rage whereupon he demands to know how long he has to live. Not accustomed to being treated in this manner she gets mad and tells him he only has 90 minutes. Upon hearing this he storms out of the hospital. Now rather than reveal any more of this movie and risk spoiling it for those who haven't seen it I will just say that although it only runs for 83 minutes it seemed like it would never end. Although it is billed as both a comedy and a drama I personally didn't think it was very funny and the drama didn't hold up well either. In short, it had the necessary components to be at least an average movie but it struggled with its identity and ended up being a complete mess. I have rated it accordingly.
I wish I would have seen this before Robin died. I think a lot of my feelings about this movie were colored by his untimely death. I tried very hard to watch it with an open mind, looking at it from the perspective that he was still alive. I failed miserably. The concept of the movie was an interesting take on an old question: what would you do if you knew you only had so much time to live? This put a whole new spin on the question, but the outcome was relatively the same. The cast was an unusual choice, in my opinion. Robin Williams was well known for being able to play a wide array of characters, from the brilliantly funny to the downright broken. This character was oddly complex. But again, maybe that's just me reading into it because of Robin's death. Ironically, one of the funniest scenes in the movie is the last scene, in which Robin's character is absent. In all, it was a fairly good movie that made me laugh and cry, and not necessarily at the points where you're supposed to laugh or cry. And it really made me miss the genius actor even more.
The Angriest Man in Brooklyn (2014)Almost the last movie with Robin Williams, and it changed slightly how I looked at it. For one thing, the character he plays is dying. And the anger he has (from the title) reveals a harder, sadder edge to the comedian. To say he isn't very funny here isn't really helpful—it's a serious role. Though he does pull out a couple zingers that may or may not have been scripted. Mostly he's an actor, and a pretty good one, but there is nothing brilliant happening here from him, or from the surrounding cast. A bigger problem still is the script, a kind of canned problem film where two unlikely people clash and have to make some situation correct itself for everyone's sake. It's forced, and not very well written.The co-star, the young woman doctor who ends up in the middle of the crisis through bad luck, is Mila Kunis, and she struggles to be convincing both as a doctor and as the leading counterweight to Williams (who if nothing else is Robin Williams, which has screen heft). Director Phil Alden Robinson is clearly out of his waters here—he's more of a steady screenwriter with one so-so movie in the can before this one—and so all the pieces in this romantic tragi-comedy are a bit out of square. The first of these is a decision (I assume the director's) to use voice over narration by the two leads, and if Williams is passable at best, Kunis sounds like a child learning to read her script. Weirdly avoidable stuff.Okay, it's fun, I'm sure, and if you want a diversion from heavier stuff, and you like Williams, and you like New York City, you might just have a good time. Without all of that, be wary.