I'd heard about this movie in an interview Emily Van Camp did at the time she joined the show Sons And Daughters,so when I saw it at my local Hollywood Video store on sale used for $5.99,I decided to pick it up,and boy,am I glad I did! This is a powerful and moving film about the disintegration of an Irish-American family in South Boston.First time director Brad Gann also wrote the screenplay and did a remarkable job.The performances by the actors playing the family are excellent to a one.Brendan Gleeson is magnificent as the Vietnam vet father,whose loss of work and descent into alcohol-fueled despair make him a shadow of the man who was.Melissa Leo as the Irish born mother(her brogue is perfect)clinging to faith and tradition shines.Emily Van Camp is great as the pregnant daughter who decides to go it alone.Tom Guiry shows both love and menace as the thuggish older brother.Michael Angarano,as the center of the film,younger son Cole who has baseball dreams is a revelation.10/10

IN the past few years we have had plenty of south Boston films, and then there are the big ones: the departed and gone baby gone. And now black irish.The departed focused on the criminal and violent element, then gone baby gone was focused more one the police and physcological element. And black irish is now the south Boston family story. The performances are beyond exceptional but the stand out is Michael Angarano. I haven't seen him in anything but i knew who he was. But he blew me away with the emotional depth and range he portrayed. One of the things that surprised me was the lack of profanity and violence. Don't get me wrong there is cursing and a little bit of violence but nothing like the departed and gone baby gone. I think any fan of the other South Boston movies should see this, but even if you didn't like those others you should see this. Truly amazing.

If you want a traditional story, with a main conflict, a villain, a hero, and a resolution, you may not enjoy this movie. But as an independent coming-of-age movie, I found it to be excellent.The characters all demonstrate great depth, as other reviews have said. The acting is wonderful. This movie captures life - growing up - in south Boston. There is pregnancy. There is cancer. There is baseball. There is theft. But the movie is not about any one of those things. It is about humanity and living.Other movies this year have done a better job in building tension. Other movies have been funnier. Other movies have included more commentary - a better moral - about human life. But no movie has captured the essential roller coaster of life better than this movie.The twists, while not as shocking as others, are more real. The sadness of the movie comes in part from your familiarity with the situations. I highly recommend this movie and I hope you choose to watch it and enjoy it.

I attended the World Premiere of "Black Irish" at the Hamptons International Film Festival. Initially, the blurb in the program guide suggested a fairly formulaic coming-of-age drama. But looks can be deceiving, and the synopsis just barely scratches the surface of what is, in reality, one of the most complex, rich, and heartwarming stories I've seen in quite some time. Remember those drawings in art class? The ones where the page is covered with black crayon and as you scrape off the outer layer you find multicolored wonders underneath? That's the most apt description that can be applied to "Black Irish." Because, as you'll discover, nothing is at it seems. And that is the singular achievement of Brad Gann, directing from his own script, with an ensemble cast that lends such passion to the material that I left the theater shaking my head in awe.Webster's defines "hero" as, "one that shows great courage, an object of extreme admiration and devotion." It's hard to grow up without one, especially as a teenager in hardscrabble South Boston. Often the father possesses the traits a boy needs to survive those difficult years and prepare for the world he's about to enter. An older brother will usually suffice in cases where Dad is absent or unable or unwilling to fit the bill. Many coming-of-age stories place a teacher or clergyman in this position. But someone always appears, the boy grows up, he moves on, and they all live happily ever after. But what if all fail or don't show up to the table? "Black Irish" poses that question, and more. So much more.Meet the McKays. Brendan Gleeson is Desmond, the father who doesn't quite qualify as hero due to years of heavy drinking and wallowing in self-pity, a legend in his own mind but not to his family. Tom Guiry is Terry, the older brother who's headed down a path of violence and self-destruction not unlike his father, giving up the hero role in the process. Sister Kathleen (Emily Van Camp), pregnant, wants little to do with the chaos around her. Amidst all this, Melissa Leo is Margaret, the mother who tries to hold it all together at the risk of losing her own somewhat sane self along the way. And our protagonist, 16 year-old Cole, is stunningly portrayed by Michael Angarano, as the boy who yearns for that moral compass that he needs to help guide the way into adulthood."Black Irish" takes us along on young Cole's search, and as we emotionally invest ourselves in his quest, we are at turns confused and occasionally amused, as is he, but mostly we hurt. To say that we feel his pain does not do justice to a story that is, at its heart, real life. And this is the true surprise of this film. These characters are far from one dimensional, the reality far from the clichéd impression even the paragraph above might suggest. There were audible gasps at the numerous twists and turns that Gann has infused into this shockingly brilliant script, no less than 12 years in the making and 30 rewrites along the way, as he indicated in the Q&A following the screening. And just when you think you know these people, just as you relax when the film seems to enter territory in which we feel comfortable, something happens. We discover that those we thought were cold and distant have a heart, a vulnerability and tenderness conveyed by Gleeson and Guiry that left me dumbfounded. Those we thought were soft and sweet, innocent and vulnerable, have a soft, fuzzy animal inside ready to turn vicious when backed into a corner, as Leo, VanCamp, and Angarano all exhibit along the way.In the Q&A, Gann mentioned VanCamp's long-running portrayal of Amy on TV's "Everwood" as the inspiration for her being cast in this role. Fans will not be disappointed, and those unfamiliar with this actor's ability to bring nuance to what could otherwise be a stock performance will be wowed. Guiry lends the film some of the most heart wrenching surprises, as his ability to turn moods on a dime is unparalleled. Leo carves out new territory, again, in a role that could have been tired and worn in the hands of a lesser actor. She truly shines. And Gleeson does a star turn in a magnificent performance that, and I rarely use this term, is Oscar-worthy. Finally, Angarano is perfectly cast in the role of the quintessential underdog, in what I believe is the performance of his career. No young actor today has the ability to say so much with his eyes and facial expressions, and as the boy who becomes father to the man he sets a new standard for others who follow to live up to."Black Irish" carves a new benchmark in the coming-of-age genre. Because it is so much more than that. The audience cheered at the end of the screening here. It was a response I've not heard at any of the 70+ films I've seen at 7 festivals this year. It is deserving of your time, and will truly touch your heart as it did mine.