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Daffy tries to sell movie studio head J.L. his script for a swashbuckler set in Merry Olde England, a plot involving a maiden in distress, a scheming Chamberlain, an evil Grand Duke and a dashing masked hero (to be played by Daffy, of course).

Mel Blanc as  Daffy Duck / Porky Pig / Sylvester / Highwayman / J.L. / Elmer Fudd (voice)
Bea Benaderet as  The Fair Melissa (voice)

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Reviews

phantom_tollbooth
1950/03/04

Chuck Jones's 'The Scarlet Pumpernickel' is something a bit special. Starring Daffy Duck, this ripping yarn casts several Warner Bros. favourites in a take off of 'The Scarlet Pimpernel'. It's a joy to see these rarely coinciding characters (including Porky Pig, Sylvester, Elmer Fudd, Henery Hawk and Mother Bear) interact with each other and the roles bring out the best in some of the characters. Porky Pig relishes the chance to play the villainous Lord High Chamberlain while Sylvester hams it up gloriously as the Grand Duke. At the centre of it all, of course, is Daffy, spectacularly blundering the role of romantic hero ("parting is such sweet stuff") as he strives to emulate Errol Flyn. The story is framed by the frantic Daffy we all know and love pitching his script to unseen studio boss J.L. J.L's demanding expectations lead to the grisly and memorable finale in which a spent Daffy commits suicide by shooting himself in the head. 'The Scarlet Pumpernickel' was an exciting all-star experience when I was a kid and it remains a remarkable piece of work when I witness it as an adult. It manages to be funny while still masterfully tapping into the spirit of the adventure stories it spoofs

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tavm
1950/03/05

In this one, Daffy plays himself as an actor tired of comedy roles so he pitches J.L. a script called "The Scarlet Pumpernickel" by Daffy Dumas Duck. The duck's the title character hoping to rescue the fair Melissa from the evil Porky Pig. The pig tries to get Sylvester to marry her to keep her from Daffy. Also involved is Elmer (done for the first time by Mel Blanc instead of Arthur Q. Bryan) and the Mama Bear from Chuck Jones' Three Bears cartoons. Nice humorous touches throughout with Daffy, especially, in fine form. I noticed Sylvester doesn't have any whiskers here. Essential viewing for any Jones fan or anyone who loves animated spoofs of old movies.

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bob the moo
1950/03/06

Tired of being typecast in comedy-duck roles, Daffy pitches an adventure story to a studio executive. He tells the story of the Scarlet Pumpernickel, a gentleman bandit that befuddles the authorities, until, that is, the Lord Chamberlain devises a cunning plan to draw him out and trap him.This cartoon is a mix of period piece and studio-spoof; it starts and ends in the studio and has a vague Errol-Flynn tale in the middle. The main story is surprisingly unfunny and really could have used a great deal more spark to really make it enjoyable. As it is it only has a few gags, such is the time given to the array of characters and the frame of the plot. The studio set bits are quite funny due to the joke of how hard it is to sell the story, the idea that Daffy is a real actor worried about typecasting and the delivery of the duck himself - but these aren't enough to carry it.The cast are very good on paper, the problem is there are too many players. Daffy is funny in his twin roles as actor and character, but Porky is given too little time to really do anything. Likewise Sylvester is pretty much wasted. The feeling of an ensemble cast is not necessarily a good thing in a 4 minute long film - sometimes things need to be scaled down to be more effective.Despite the promise shown by the film, it tries to do too many things and the end result is that it doesn't do the main story or the studio stuff justice. If anything I was surprised by just how average this cartoon was!

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Rikichi
1950/03/07

This cartoon starts out with Daffy Duck in J. L.'s (Jack L. Warner's) office pitching for a dramatic role. He's tired of having anvils drop on his head and never getting the girl. In his buildup of the proposed plot, he has J. L., and us, on the edge of our seats.This is not your typical Looney Tunes fair. It's a roller coaster ride of slapstick comedy, cameos and that special brand of humor from writer Michael Maltese, all beautifully animated by one of the best crews ever assembled. It's a welcome departure from the formulaic series that the Warner Bros. cartoon factory from this era did so well, but the recipe from this one was to be tried out again with great success in later Daffy Duck shorts (Duck Dodgers, Stupor Duck).

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