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Miao Miao

Birthday: 1965-01-01 Place of Birth: Beijing,China
Synopsis

Acting

Magical Tortoise
as    宋老师
Wang Fujing is a fourth grade student, a magical tortoise comes to his life, and changes everything. This tortoise can speak and use magic to help him ten times. Each time the tortoise use a magic to help Wang, Wang would get a score based on how he uses the magic. After a few times, Wang learns that helping people with true heart is the happiness in the life from this experience.
Little Tiger Team on the Ice
as    安雯
The new generation of ice and snow athlete Lei Lei won the third place in the men's juvenile free skating competition. According to regulations, he should be selected into the national training team. However, in the national juvenile figure skating trial, the name of the national training team was not raised, but his teammate, Zhao Lian, who only won the eighth place, was on the list.
Burning Snow
as    林晶晶
Lin Jingjing and Xiao Yi of the instrumental music class of the art school were selected to open a hotline for middle school students in a provincial city. Lin Jingjing and Xiao Yi received calls from many students in the class and received a call from Wang Yanyan, a girl from the rural entrance exam who fell in love with male teacher Yu Bin. Class teacher Huang is an absolutely traditional educator. She hates Wang Yanyan's early love. At the same time, her control of her classmates has been met with sarcasm. Depressed and helpless, she also called the hotline.
Bloody Morning
as    崔永芳
Freely adapted from Gabriel García Márquez's Chronicle of a Death Foretold, the film follows the investigation of a local teacher's murder in a small and desperately poor rural village, the story of the crime gradually pieced together from the fragmented memories of witnesses forced to testify at an inquest. Sharing with her Fifth Generation colleagues Chen Kaige and Tian Zhuangzhuang a remarkable eye for the barren landscapes of northern China and a fascination with small-town life — especially those enduring superstitions that Communism failed to erase — director Li Shaohong also introduces several formal innovations, particularly in storytelling structure, that remain unprecedented in Chinese cinema.
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