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Clara Luciani

Birthday: 1992-07-10 Place of Birth: Martigues, Bouches du Rhone, France
Synopsis

Clara Luciani is a French singer and songwriter. Luciani comes from a Corsican family. Her grandfather, whom she did not know, was from Ajaccio. Clara Luciani grew up in Septèmes-les-Vallons, in the suburbs of Marseille. Before her career in music, she studied at the College of Art History and had various jobs including pizza chef, babysitter, saleswoman at Zara and an English teacher. In 2011, she met the band La Femme, where she became, for a time, one of the female voices. She sang two songs on the album Psycho Tropical Berlin released in 2013. After leaving the band she formed the duo Hologram, with Maxime Sokolinski. In 2015–2016, she accompanied the singer Raphaël on stage for his tour "Somnambules". In 2017, she performed with Benjamin Biolay and released a first EP, Monstre d'amour., recorded with Benjamin Lebeau (The Shoes) and Ambroise Willaume (Revolver) to critical acclaim. On 6 April 2018, Clara Luciani released her first album, Sainte-Victoire, which was well received by the press. In January 2019, she toured Australia, performing at the So Frenchy So Chic festival series in Adelaide, Melbourne, Sydney and Brisbane. Luciani claims Françoise Hardy, Serge Gainsbourg, Nico, Michel Legrand and Paul McCartney as influences.

Acting

Il était une fois Marseille
as    Narrator (voice)
The heroine of this film is immortal. She is over 2600 years old. This is the self-portrait of the oldest city in France. A city whose landscapes bear the scars of a destiny that has spared it no trials. Gateway to the Orient, crossroads of trade and immigration, Marseille is a mosaic with 111 districts and 200 nationalities. Rebellious, chaotic, in turn desired, torn apart, transformed, it is reborn each time from its ashes. Marseille tells us more about the history of France and sheds light on what France is today.
The Shock of the Future
as    Clara
Paris, 1978. In a male-dominated music industry, Ana uses new electronic machines to make herself heard, thus creating a new sound that is destined to mark the decades to come: the music of the future.
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