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Kseniya Zueva

Birthday: 1990-06-10 Place of Birth: Moscow, USSR (Russia)
Synopsis

Kseniya Ivanovna Zueva (Russian: Ксе́ния Ива́новна Зу́ева; born 10 June 1990, Moscow) is a Russian filmmaker, actress, designer and model. Kseniya Zueva was born in the family of an English teacher and an engineer. She studied at the Serov Children's Art School, as well as at the Voskhod Children's Music School. She studied at the Moscow Art Theater Studio School "MKHAT" (the course of Roman Kozak and Dmitry Brusnikin). In 2012, she graduated from the Theater Institute im. Boris Shchukin (course of Valentina Nikolaenko). Worked in the "Lenkom Theater" and in "The Other Theater". In 2012, she wrote the first draft of the script for her upcoming feature film "Nearest and Dearest". In 2013, she entered the higher courses of screenwriters and directors (workshop of Vladimir Khotinenko, Pavel Finn, Vladimir Fenchenko), where she made a lot of short films and one of them, "Gelya", perfectly defended her diploma. Ksenia Zueva is the author of the script and director of the video for the song "Wings" by Peter cash for the Theater of Deaf Actors "Nedoslov". Ksenia's debut directorial film "Nearest and Dearest" participated in the main competition program of Kinotavr, and also received the "Advance" award from the Hollywood Reporter Russia at the MIFF, the Normandy prize for the Best debut at the Russian film Festival in Honfleur in 2019, and many other awards. At "Kinotavr" 2020, Ksenia Zueva will present the second full-length director's work "Intervention", starring Anna chipovskaya.

Acting

Conference
as    Galya
Many years after a deadly terrorist siege in a Moscow theatre, survivor Natalya returns to the crime scene to hold a memorial evening, finally able to confront her survivor's guilt and her estranged daughter and husband.
Russian Spleen
as    Lenka
The three not-so-lucky guys are having the most difficult, weirdest and funniest day of their lives. Meanwhile, in Moscow, a gang of Kyrgyz conspirators begins to wield, a sexist gynecologist and a feminist traumatologist come to work, a film producer is cheating on the Motherland, and clay policemen are uncovering their batons. The only question is which of these meetings will become fatal for our friends.
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