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Wu Wenguang

Birthday: 1956-01-01 Place of Birth: Yunnan, China
Synopsis

Wu was born in south-western China’s Yunnan province in 1956. After graduating from high school in 1974, Wu was send to the countryside, where he worked as farmer for four year. Between 1978 and 1982, he studied Chinese Literature in Yunnan University. After the University, Wu worked as a teach at a junior high school for three years, and later, he worked in the television as a journalist for four years. Wu left the television, moved to Beijing in 1988 to be an independent documentary filmmaker, freelance writer and creator and producer of dance/theater. Wu has completed documentaries: Bumming in Beijing (1990), 1966, My Time in the Red Guards (1993), Jiang Hu: Life on the Road (1999), Fuck Cinema (2005), Bare Your Staff (2010), Treating (2010), Because of Hunger (2013), Investigating My Father (2016), Autobiography: Pass Through (2017), Autobiography: Struggle (2018) Autobiography: Fear (2019), Riding Through (2020), and has screened in many film festivals in the world. Wu also has created some short video, which like Diary: Snow, 21 Nov, 1998 (1999), Public Space (2000), Search: Hamlet in China (2002). Wu had been created in theater, which like Treating (2009), Memory: Hunger (2010), Investigating My Father (2013) and Reading Hunger (2016), Reading Father (2019) Also Wu had some no-fiction books published (Bumming in Beijing, 1966, Revolution Scene, Report on Jianghu) In 2005, Wu found the Village Documentary Project, and in 2010, found the Folk Memory Project .

Acting

The Monument
as    Self
Edited together from materials taken from Caochangdi performances and activities between 2012-2013 and Wu Wenguang's own body camera record, this film can be regarded as a kind of "story follow-up" version of "Because of Hunger". In short, it is a kind of "remembrance".
Luo Luo’s Fear
as    Self
Luo Luo’s intense fear of Covid-19 keeps her in the house during the pandemic. She listens to her father relate their family history, and spends time on Zoom with fellow Folk Memory Project members Wu Wenguang and Zhang Mengqi.
Haze and Fog
as    The Old Man
Darkly humorous reinterpretation of the zombie film, set in Beijing. Here the undead are real estate agents, nouveau riche businessmen, security guards, manicurists, and sex workers seeking contact in an increasingly individualized, alienating society.
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