Corinne Griffith
Birthday: 1894-11-21
Place of Birth: Texarkana, Texas, USA
Synopsis
Griffith was born in Texarkana, Texas to John Lewis Griffin and Ambolina (Ambolyn) Ghio. She attended Sacred Heart Convent school in New Orleans and worked as a dancer before she began her acting career. Griffith began her screen career at the Vitagraph Studios in 1916. She later moved to First National, where she became one of their most popular stars. In 1928, she had the starring role in The Garden of Eden. The next year, in 1929, Griffith received an Academy Award nomination for her role in The Divine Lady. Griffith's first sound film, Lilies of the Field, was released in 1930. Griffith's voice did not record well (The New York Times stated that she "talked through her nose"), and the film was a box office flop. After appearing in one more motion picture, the British film Lily Christine in 1932, she retired from acting. She returned to the screen in 1962 in the low-budget melodrama Paradise Alley, which received scant release.
Acting
Saturday's Children
as Bobby Halevy
Youthful sweethearts, Bobbi and Jim, plan to get married but Bobbi wants them to settle down in their sleepy hometown. Jim has bigger plans and walks out on Bobbie who then resorts to her feminine tricks to win him back.
Mademoiselle Modiste
as Fifi
Robert Z. Leonard directed Griffith in a story based on a popular 1905 Victor Herbert operetta on Broadway, Mlle. Modiste, with a libretto by Henry Martyn Blossom, which was similar to the MGM film The Merry Widow. The film is now considered a lost film. The story was refilmed in 1930 as the talkie Kiss Me Again.
Black Oxen
as Madame Zatianny / Mary Ogden
A Manhattan playboy falls for a mysterious European woman, whom he notices is an exact double for a famous socialite who disappeared at the turn of the century. At first he thinks it's just a coincidence, as the beautiful young woman he's romancing is much younger than the woman who vanished, who would be in her late 50s or early 60s by now. Soon, however, he begins to believe that maybe it's not such a coincidence after all.
