Teresa Sánchez
Birthday: 1968-03-10
Place of Birth: Mexico City, Mexico
Synopsis
Since she was a child she was always interested in shows and art, interests that stood out above school subjects, giving more interest to dance, music and theater. She finally became interested in theater during a break from school and got to know the Centro Cultural del Bosque, where she began to frequent and attend the plays that were presented. In high school she enrolled in a theater workshop, where, regardless of the discrimination she suffered for being an overweight woman, she understood that it could be the profession she wanted to pursue.
Teresa moved to the city of Morelia, where she began to study in the theater workshops offered by the houses of culture and went through several plays until she participated in one that was presented at the National Theater Showcase of Mexico, and with which she began to gain some recognition.
After several plays in her career the actress debuted in film with the movie ¿Dónde están sus historias, followed by Jodidos polleros (2007) and Verano de Goliat (2010) with which she obtained her first Ariel award nomination, as best actress in 2012.
She has worked in feature films such as El silencioso (2010), Minotauro (2015) and La camarista (2018), a film that gave her her second Ariel nomination, this time in the category of best female co-actress.
Acting
Dos Estaciones
as María García
Fifty-year-old Maria Garcia is the owner of the Dos Estaciones, a once-majestic tequila factory struggling to stay afloat, and the final hold-over from generations of Mexican-owned tequila plants in the highlands of Jalisco; the rest have folded to foreign corporations. Once one of the wealthiest people in town, Maria knows her current financial situation is untenable. When a persistent plague and an unexpected flood cause irreversible damage, she is forced to do everything she can to save her community's main source of economy and pride.
Fauna
as Luisa's Mother
A pair of estranged offspring visit their parents in an abandoned Mexican village.
El Mito
as Partera Mariana
In Querétaro at the end of the 17th century, a spanish maiden has given birth to a creature.
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Greatest Hits
as Tere
When Gabino's father returns home after a long absence, the two men awkwardly attempt to re-establish a relationship; but Gabino and his mother quickly tire of this man who has become a stranger to them and decide to kick him out, before realizing that he has already left. Gabino eventually tracks his father down and spends time with him in his rundown apartment, trying to figure out if there is any possibility for the two of them to ever truly communicate. Though Greatest Hits continues Pereda's exploration of his perennial themes of absence, masculinity and the difficulty of maintaining a family, it opens up a whole new set of aesthetic questions through a bold formal gambit: halfway through, the entire narrative reboots and starts from scratch with another actor playing one of the key characters, leading to different iterations of events already witnessed.
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Perpetuum Mobile
as Madre
An itinerant mover works from the streets of Mexico City with his partner and lives with his beleaguered mother. A heightened tension within the home – by the absent older brother and unmentioned father. Gabino's casual pursuit of a career is interrupted by a series of intense and almost satirically telenovela-esque domestic vignettes.
