Camille Paglia
Birthday: 1947-04-02 Place of Birth: Endicott, New York, USA
Synopsis
Camille Anna Paglia (born April 2, 1947) is an American academic and social critic. Paglia has been a professor at the University of the Arts in Philadelphia, Pennsylvania, since 1984. Paglia is critical of many aspects of modern culture, and is the author of Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson (1990) and other books. She is a critic of American feminism and of post-structuralism as well as a commentator on multiple aspects of American culture such as its visual art, music, and film history. In 2005, Paglia was ranked No. 20 on a Prospect/Foreign Policy poll of the world's top 100 public intellectuals. From Wikipedia, the free encyclopedia
Acting
Thou Shalt Not: Sex, Sin and Censorship in Pre-Code Hollywood
A look at the forces that shaped Pre-Code Hollywood and brought about the strict enforcement of the Hays Code in 1934.
Inside Deep Throat
In 1972, a seemingly typical shoestring budget pornographic film was made in a Florida hotel: "Deep Throat," starring Linda Lovelace. This film would surpass the wildest expectation of everyone involved to become one of the most successful independent films of all time. It caught the public imagination which met the spirit of the times, even as the self-appointed guardians of public morality struggled to suppress it, and created, for a brief moment, a possible future where sexuality in film had a bold artistic potential. This film covers the story of the making of this controversial film, its stunning success, its hysterical opposition along with its dark side of mob influence and allegations of the on set mistreatment of the film's star.
Plaster Caster
Portrait of legendary artist and groupie Cynthia Plaster Caster famous for plaster casting the penises of rock stars.
Female Misbehavior
From feminist director and provocateur Monika Treut comes this eclectic collection of four short documentaries profiling unconventional women. One has Camille Paglia explaining her ways of thinking. One has Annie Sprinkle explaining her approach to performance art, which includes inviting audience members to view her cervix with a speculum. One interview investigates a professional woman's preoccupation with sadomasochism. The fourth documents the life adjustments of an F2M (female-to-male) sex change who looks like a dangerous biker, with slick black hair, a matching motorcycle jacket, and tattoos.
