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Jane Brakhage

Birthday: Place of Birth: Chicago, Illinois
Synopsis

Jane Wodening (born Mary Jane Collom, and formerly known as Jane Brakhage) is an American writer and the first wife of filmmaker Stan Brakhage. The birth of their first child is the subject of the 1959 experimental short film Window Water Baby Moving. Wodening married Stan Brakhage in 1957 and is credited with creating scrapbooks for the Brakhage family during what is recognized as the filmmaker's most significant period of creation from the late 1950s to the mid 1960s. The couple separated in 1987. Description above from the Wikipedia article Jane Wodening, licensed under CC-BY-SA, full list of contributors on Wikipedia.​

Acting

As I Was Moving Ahead Occasionally I Saw Brief Glimpses of Beauty
as    Self
A compilation of over 30 years of private home movie footage shot by Lithuanian-American avant-garde director Jonas Mekas, assembled by Mekas "purely by chance", without concern for chronological order.
Brakhage
as    Herself
BRAKHAGE explores the depth and breadth of the filmmaker’s genius, the exquisite splendor of his films, his magic personal charm, his aesthetic fellow travelers, and the influence his work has had on generations of other creators. While touching on significant moments in Brakhage’s biography, the film celebrates Brakhage’s visionary genius, and explores the extraordinary artistic possibilities of cinema, a medium mostly known only for its commercial applications in the form of narratives, cartoons, documentaries, and advertising. BRAKHAGE combines excerpts from Brakhage’s films and films of other avant-garde filmmakers (eg, George Kuchar, Jonas Mekas, Willie Varela, Bruce Elder, and others); interviews with Brakhage, his friends, family, colleagues, and critics; archival footage of Brakhage spanning the past thirty-five years; and location shooting in Boulder, Colorado and New York.
Window Water Baby Moving
as    Self (uncredited)
On a winter's day, a woman stretches near a window then sits in a bathtub of water. She's happy. Her lover is nearby; there are close ups of her face, her pregnant belly, and his hands caressing her. She gives birth: we see the crowning of the baby's head, then the birth itself; we watch a pair of hands tie off and cut the umbilical cord. With the help of the attending hands, the mother expels the placenta. The infant, a baby girl, nurses. We return from time to time to the bath scene. By the end, dad's excited; mother and daughter rest.
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