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Fernanda Montenegro

Birthday: 1929-10-16 Place of Birth: Rio de Janeiro, Rio de Janeiro, Brazil
Synopsis

Fernanda Montenegro (born Arlete Pinheiro Esteves da Silva; October 16, 1929) is a Brazilian stage, television and film actress, mostly recognized for her leading role in Central Station, which she was nominated for the Academy Award for Best Actress, becoming the first Brazilian actor to be nominated. She is commonly revered as one of Brazil's finest actresses and referred to as "The First Lady of Brazilian Theater" and "The First Lady of Brazilian Television".

Acting

Zimba
as    arquivo
The trajectory and artistic imagery of actor and director Zbigniew Ziembinski (1908-1978), precursor of modern theater in Latin America and master of generations of Brazilian actors. The polyphonic montage builds on vast unpublished material, covering half a century of performances, teletheaters and interviews by Zimba, as he was known – before and after fleeing Poland, on the eve of the invasion of Warsaw – and recreates fragments of Wedding Dress , a play by Nelson Rodrigues which the Polish-Brazilian director won a revolutionary montage in 1943.
Babenco: Tell Me When I Die
as    Banquet Attendee
Besieged by cancer and nearing the end, the genius Argentine-Brazilian filmmaker Héctor Babenco (1946-2016) asks Bárbara Paz, his wife, for one last wish: to be the protagonist of his own death.
Amor e Sorte
as    Dona Gilda
Limited anthology series comprised of four stand-alone episodes, all written, shot and edited during COVID-19 isolation, with each one focusing on a separate cast of characters quarantined together.
Gilda, Lúcia and The Goat
as    Gilda
The special brings the continuation of the plot starring Gilda and Lúcia in the series 'Amor e Sorte'. After a period of forced coexistence due to social isolation, they face a new reality.
Emicida: AmarElo - It's All for Yesterday
as    Self
Between scenes from his concert in São Paulo's oft-inaccessible Theatro Municipal, rapper and activist Emicida celebrates the rich legacy of Black Brazilian culture.
O Juízo
as    Marta Amarantes
Augusto moves with his family to an abandoned farm, inherited from his grandfather, hoping to put his life back on track. The property, however, carries the karma of the betrayal of the slave Couraça who seeks revenge against Augusto's family.
Invisible Life
as    Older Eurídice Gusmão
Rio de Janeiro, Brazil, 1950. In the conservative home of the Gusmão family, Eurídice and Guida are two inseparable sisters who support each other. While Guida can share with her younger sister the details of her romantic adventures, Eurídice finds in her older sister the encouragement she needs to pursue her dream of becoming a professional pianist.
The Asphalt Kiss
as    Dona Matilde
When witnessing a hit, Arandir, a newly married banker, tries to succor the victim, but the man, almost dead, has only time to make one last request: a kiss. Arandir kisses the man, but his act is spotted by his father-in-law Aprígio and photographed by Amado Ribeiro, a tabloid reporter.
Rio, I Love You
as    Dona Fulana (segment "Dona Fulana")
The third episode of the Cities of Love franchise, Rio, I Love You is an anthology, created by 10 visionary directors from across the globe. The story line of each segment focuses on an encounter of love in a different neighborhood of the city, demonstrating the distinctive qualities and character of that location. The film serves to bridge gaps between cultures, educating and entertaining the audience, while celebrating unique and universal expressions of love.
Love in the Time of Cholera
as    Transito Ariza
In Colombia just after the Great War, an old man falls from a ladder; dying, he professes great love for his wife. After the funeral, a man calls on the widow - she dismisses him angrily. Flash back more than 50 years to the day Florentino Ariza, a telegraph boy, falls in love with Fermina Daza, the daughter of a mule trader.
The House of Sand
as    Dona Maria / Áurea (1942-1969) / Maria (1969)
A woman is taken along with her mother in 1910 to a far-away desert by her husband, and after his passing, is forced to spend the next 59 years of her life hopelessly trying to escape it.
Redeemer
as    D. Isaura
Célio Rocha believes he was assigned by God Himself a difficult mission: to persuade his childhood friend Otávio Sabóia, a corrupt entrepeneur in the construction business, to give away all his possessions to the poor.
Betrayal
as    Mãe do Geraldo / Mulher no bar
This film shows three episodes: "The First Sin" portrays the relationship of a man and married woman; in "Devilish", the desire between a young woman and her brother-in-law is shown; and in the episode "Cachorro!", a man sees his wife with her lover.
Central Station
as    Isadora "Dora" Teixeira
An emotive journey of a former school teacher, who writes letters for illiterate people, and a young boy, whose mother has just died, as they search for the father he never knew.
Hour of the Star
as    Madame Carlota
Macabéa has just moved to the big city after her aunt, who raised her, died. She gets a job as a typist and moves into a boarding house with three other women. In her spare time, she listens to a radio station called Time; on Sundays, she likes to ride the metro. Then she meets Olímpico, a northeasterner like herself, who has dreams of becoming a congressman.
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