Paola Senatore
Birthday: 1949-11-09
Place of Birth: Rome, Lazio, Italy
Synopsis
Paola Senatore (born 9 November 1949) is an Italian retired film actress.
Born in Rome, Paola Senatore worked in Italian genre films during the 1970s, including poliziotteschi, commedia sexy all'italiana and giallo films. These included cult films such as Ricco the Mean Machine (1973), The Flower with the Petals of Steel (1973), The Killer Reserved Nine Seats (1974), Salon Kitty (1976), Emanuelle in America (1977), and Umberto Lenzi's cannibal film Eaten Alive! (1980). In the mid-1980s, after two soft-core erotic films directed by Joe D'Amato and because of drug problems and pregnancy, she accepted starring in pornographic magazines and in a hard-core film, Non stop... sempre buio in sala.
Her film career ended in September 1985 when she was arrested for possession and trafficking of drugs.
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Acting
Eaten Alive!
as Diana Morris
A woman's search for her missing sister leads her to the jungles of New Guinea, where she and an expatriate guide encounter a cult leader and flesh-hungry natives.
Emanuelle in America
as Laura Elvize
In search of a good story, globe-trotting photojournalist Emanuelle meets up with an ex-prizefighter who tips her off about a rich pervert who recruits girls for his own private harem based on their astrological signs.
Salon Kitty
as Marika
Kitty runs a brothel in Nazi Germany where the soldiers come to "relax". Recording devices have been installed in each room by a power hungry army official who plans to use the information to blackmail Hitler and gain power himself. A girl named Margherita discovers the little ploy and with Kitty's help plans to take on the dangerous task of exposing the conspiracy.
Nenè
as Mother of Ju and Pa
In the Catholic and traditionalist Italy, two teenagers covertly discover new prohibited games.
Ricco
as Concetta Aversi
Fresh out of the joint, young Ricco is eager to get home to see his family. He was cut loose a year early for good behavior, but it certainly wasn't good behavior that got him in the big house in the first place. Two years prior, Ricco took it upon himself to go after Don Avito, the man who killed his pappy and took his girlfriend. Yet Ricco came out of prison a changed man. He had a lot of time to think, and the anger and thirst for revenge is no longer there, much to his mother's chagrin. She is quite upset that her son is not interested in paying back Don Avito for his deeds, and she needles Ricco relentlessly until he reluctantly gives in to her demands.
