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Marc Caro

Birthday: 1956-04-02 Place of Birth: Paris, France
Synopsis

​From Wikipedia, the free encyclopedia.   Marc Caro, born April 2, 1956, is a French filmmaker and cartoonist, best known for his co-directing projects with Jean-Pierre Jeunet. The two of them met at an animation festival in Annecy in 1974. Together, Jeunet and Caro directed award-winning animations. Their first live action film was The Bunker of the Last Gunshots (1981), a short film about soldiers in a bleak futuristic world. Jeunet and Caro's first feature film was Delicatessen (1991), a melancholy comedy set in a famine-plagued post-apocalyptic world, in which an apartment building above a delicatessen is ruled by a butcher who kills people in order to feed his tenants. They next made The City of Lost Children (1995), a dark, multi-layered fantasy film about a mad scientist who steals children's dreams so that he can live indefinitely. The success of The City of Lost Children led to an invitation to direct the fourth film in the Alien series, Alien: Resurrection (1997). This is where Jeunet and Caro ended up going their separate ways as Jeunet believed this to be an amazing opportunity and Caro was not interested in a film that lacked creative control working on a big-budget Hollywood movie. Caro ended up assisting for a few weeks, with costumes and set design but afterwards, decided to work on a solo career in illustration and computer graphics. His first feature film as a solo director was entitled Dante 01. Description above from the Wikipedia article Marc Caro  licensed under CC-BY-SA, full list of contributors on Wikipedia.

Acting

Satoshi Kon: The Illusionist
as    Self
A subtle portrait of Japanese director Satoshi Kon by the specialist of Japanese cinema Pascal-Alex Vincent and a dive into a rich work. With interviews of the greatest Japanese, French and American directors inspired by his work.
The Last Little Red Riding Hood
as    Le monstre
A old red riding hood, badly crippled after killing a monster many years ago, comes up with a sinister plan to dance again.
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