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Borivoje Todorović

Birthday: 1930-11-05 Place of Birth: Belgrade, Serbia
Synopsis

Borivoje "Bora" Todorović (born 5 November 1930 in Belgrade, Kingdom of Yugoslavia) is a Serbian actor. His sister is the famous actress, Mira Stupica, and father of Srđan Todorović. Bora Todorović has an extensive acting career, and has had roles in critically acclaimed Yugoslavian films such as Who's That Singing Over There (1980), The Marathon Family (1982), Balkan Express (1983), Balkanski Špijun (Balkan Spy, 1984), Time of the Gypsies (1988), and Underground (1995). Bora's father died during his childhood. Following secondary school, Bora completed army service, at which point he had no plans to pursue an acting career. However, his older sister Mira's passion for acting exposed him to the business and soon he became passionate about it as well. He enrolled in the Belgrade Drama Arts Academy, and eventually acted on stage at the Belgrade Drama Theatre. In 1957, Bora lived and acted in Zagreb, eventually returning to Belgrade in 1961. Between 1961 and 1983, Bora was a member of the "Atelje 212" theater in Belgrade, where he performed various roles. In October 2002, he appeared on the Zvezdara Theatre stage in Belgrade, in the play Larry Thompson. Bora Todorović now alternates residence between Prague and Belgrade. He is currently married to Carolyn Kilkka, with whom he has two children, Dana and Tara. Bora also has a child from his previous marriage to Snežana Matić. He died on July 7, 2014 after suffering a brain-stroke.

Acting

Underground
as    Golub
A group of Serbian socialists prepares for the war in a surreal underground filled by parties, tragedies, love and hate.
Time of the Gypsies
as    Ahmed
In this luminous tale set in the former Yugoslavia, Perhan, an engaging young Romany with telekinetic powers, is seduced by the quick-cash world of petty crime that threatens to destroy him and those he loves.
Montenegro
as    Alex Rossignol
Marilyn Jordan, an American, lives in Stockholm with her Swedish husband and family. Her behavior is bizarre, perhaps mad: she poisons the dog's milk and advises the dog not to drink it; she sets the sheets afire as her husband sleeps; she crawls under the dining table to sing. While detained at airport customs for carrying pruning shears, she meets a young Yugoslav woman and goes with her to a Gypsy enclave where she's fought over, takes a lover, helps with the sordid entertainment at a bar, and returns home more dangerous than before. The film also tells parallel stories of Marilyn's daughter becoming a junior homemaker as the young immigrant practices her striptease.
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