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Vilmos Zsigmond

Birthday: 1930-06-16 Place of Birth: Szeged, Hungary
Synopsis

Vilmos Zsigmond, ASC was a Hungarian-American cinematographer. His work in cinematography helped shape the look of American movies in the 1970s, making him one of the leading figures in the American New Wave movement. Wikipedia

Acting

Louis
as    Hungarian Photographer
A silent film about Louis Armstrong as a young boy and how he acquired his first cornet.
No Subtitles Necessary: Laszlo & Vilmos
as    Self
The artistry, triumph and lifelong friendship of the great cinematographers Laszlo Kovacs and Vilmos Zsigmond. With film school equipment, they shoot the Soviet crackdown of the 1956 Hungarian Revolution. As refugees they struggle in Hollywood, finally breaking into the mainstream with their pivotal contribution to the "American New Wave."
Final Cut: The Making and Unmaking of Heaven's Gate
as    Self
Michael Cimino's "Heaven's Gate" stands as one of the most influential and important films of all time; one that changed the movie industry in ways nobody ever expected. "Final Cut: The Making and Unmaking of Heaven's Gate" is a captivating, cutting, and thorough look at the long production and crushing failure of the epic film that destroyed a great motion picture studio.
Visions of Light
as    Self
Cameramen and women discuss the craft and art of cinematography and of the "DP" (the director of photography), illustrating their points with clips from 100 films, from Birth of a Nation to Do the Right Thing. Themes: the DP tells people where to look; changes in movies (the arrival of sound, color, and wide screens) required creative responses from DPs; and, these artisans constantly invent new equipment and try new things, with wonderful results. The narration takes us through the identifiable studio styles of the 30s, the emergence of noir, the New York look, and the impact of Europeans. Citizen Kane, The Conformist, and Gordon Willis get special attention.
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