Tuesday Knight
Birthday: 1969-02-17 Place of Birth: Brentwood, California, Stati Uniti
Synopsis
From Wikipedia, the free encyclopedia Tuesday Lynn Knight (born February 17, 1969) is an American actress. The daughter of composer Baker Knight, she is perhaps best remembered for her role as Kristen Parker in the 1988 horror film A Nightmare on Elm Street 4: The Dream Master. Also an accomplished musician, Tuesday recorded the song "Nightmare," used during the film's opening credits. She appears as herself in the 1994 Wes Craven film Wes Craven's New Nightmare as well as the 2010 film Sex and the City 2. Description above from the Wikipedia article Tuesday Knight, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Acting
FredHeads: The Documentary
Following several hardcore A Nightmare On Elm Street fans and featuring stories from hundreds of others of all ages across the globe, FredHeads explores just how much fans love the franchise and how it has changed their lives by inspiring them to conquer their fears. Cast, crew, and others involved in the franchise also offer insight into the legacy of A Nightmare On Elm Street.
The Rideshare Killer
The young female CEO of a new ridesharing app must stop a serial killer who's using the app to lure victims into his car.
Wanton Want
An affectless writer is lured to a couples weekend getaway by his wife and friends, only to uncover a tumultuous secret and a perilous obsession that threaten to change the course of his life in intense and surprising ways.
The Amityville Moon
As Alyssa and Karla try to escape from the church home that holds them captive, Karla is slaughtered by a vicious, semi-human creature. After Detective Kimball tracks down Alyssa at a rowdy biker bar, she tells Kimball that women inmates disappear every full moon, and shows him the silver bullets in her gun. Now the two must return to the halfway house to confront the priest and nuns—and the snarling, savage evil—that dwell within.
Catch of the Day
Officer Rod Davis becomes embedded undercover when a cartel starts bringing drugs into the city through fish shipments. He soon finds himself and his city under siege when a scientist accidentally creates mutant fish people with a poisonous bite. It's up to the rookie cop and a sexy lab assistant to find the drug stash and destroy the crime lord controlling the mutant monsters, but it turns personal when Rod's sister is kidnapped. Are they fighting giant mutant fish monsters just for the halibut? See the badge, bass, and ass in a horror-comedy that you won't want to throw back... because it's the "Catch of the Day."
Daddy and Them
Ruby and her husband Claude are a working-class couple who live in suburban Arkansas. As crazy as they are for each other, their relationship is far from harmonious. (The lack of money doesn't help matters, either.) In fact, their whole family is fraught with unresolved conflicts. Then Claude's uncle is arrested on a felony charge, and everyone rallies round. Ruby's mother Jewel and flirtatious sister Rose (Claude's ex-girlfriend) even fly in from Tennessee; but, far from being a source of support, Jewel seems only to want to break up Ruby and Claude.
The Babysitter
Jennifer (Alicia Silverstone) is a lovely teen who has been hired to baby-sit the kids of Harry Tucker (J.T. Walsh) and his wife, Dolly (Lee Garlington). The Tuckers go to a party and proceed to get inebriated, with Mr. Tucker fantasizing about his beautiful baby sitter. Meanwhile, Jack (Jeremy London), her boyfriend, and Mark (Nicky Katt), another guy interested in her, decide to spy on Jennifer at the Tucker house, with each young man also fixated on her.
Cool and the Crazy
Unhappily married couple Roslyn and Michael lead separate affairs that lead to violent repercussions for all.
2000 Malibu Road
2000 Malibu Road is a prime time American soap opera that aired on CBS in the summer of 1992. The series stars Drew Barrymore, Jennifer Beals, Brian Bloom, Scott Bryce, Lisa Hartman, Tuesday Knight, and Michael T. Weiss.
Mistress
A comedy about a screenwriter (Wuhl) whose old movie script is read by a producer (Landau) and the search for financial backers begins. But it seems that each money source (Aiello, DeNiro, Wallach) has his own mistress that he wants put into the film. Gradually, the screenwriter is forced to make changes to his script to accommodate these backers until he finally sees no semblance of his original ideas in the writing.
