Youssouf Djaoro
Birthday:
Place of Birth: Chad
Synopsis
Youssouf Djaoro is a Chadian film actor.
He made his debut by appearing in the film Daresalam in 2000 in which he played the character of Tom. It was directed by the critically acclaimed Issa Serge Coelo and was the first of several films they have collaborated with. Tartina City, also directed by Coelo in 2006 in which Djaoro played a journalist won the Innovation Award at the 31st Montreal World Film Festival. Later in 2006 he starred in the film Daratt playing the role of Nassara. Directed by Mahamat Saleh Haroun, Darratt won the Grand Special Jury Prize at the 63rd Venice International Film Festival, as well as eight other prizes at Venice and the Panafrican Film and Television Festival of Ouagadougou. For his role in "A Screaming Man", Djaoro won the Silver Hugo for best actor at the 46th Chicago International Film Festival.
Acting
Lingui: The Sacred Bonds
as Brahim
On the outskirts of the capital of Chad, determined single mother Amina works tirelessly to provide for herself and her 15-year old daughter Maria. When Amina discovers Maria is pregnant and does not want a child, the two women begin to seek out an abortion, condemned by both religion and law. In the process, mother and daughter forge a connection stronger than any they’ve ever known.
A Screaming Man
as Adam 'Champion' Ousmane
Adam Ousmane is a pool attendant at a local resort. When the new managers decide to downsize, Adam loses his job to his own son, Abdel. Shattered by the turn of events, Adam is pressured into contributing to the Chadian war effort. With no money to speak of, the only asset he can donate is his son.
Daresalam
as Tom
In a small Central African village, boyhood friends Djimi and Koni have come of age under a post-colonial government that levies crippling taxes and legally robs local farmers of their meager crops. When impulsive Koni savagely attacks a visiting government official, the resulting massacre forces the two friends on a journey that will transform them from boys into men, from farmers into soldiers and from villagers into revolutionaries. "We fight in one world so we can live in another," declares Koni as the two battle shoulder to shoulder against government troops. But while Koni embraces the politics and carnage of their dangerous new guerilla existence, Djimi longs for the simplicity and grace of the village life they've left behind. As the rebels move closer to victory, the two friends move closer to a clash of their own.
