The world is dead. A lone woman, Victoria, struggles valiantly to stay alive on this desolate planet once known as Earth. But Victoria is not alone here. She shares her horrifying new world with beings of a different kind... the living dead, ferocious beasts hungrily searching for human flesh. With a sawed-off shotgun strapped to her back, Victoria drags a dead body through this horrifying new world in a desperate attempt to hold onto her humanity... to hold on to her past.

The year is 1933. Ruby Rose (Melita Jurisic) is an Australian woman living with her Welsh immigrant husband Henry (Chris Haywood) in the Tasmanian highlands. Cut off from her superjudgmental family, for whom Henry had once worked as a humble farm hand, Ruby remains isolated in her tiny house. Superstitiously terrified of the dark, she begins developing her own folklore about the inky blackness that surrounds her each night; this folklore eventually develops into Ruby's own personal religion, created to ward off the evils that she imagines lurk in every corner. Only by venturing out of her house and rekindling her relationship with her embittered father is Ruby able to exorcise her fears. Almost hypnotic in its stark beauty, Tale of Ruby Rose is proof enough that writer/director Roger Scholes deserves to be far better known.

Amid the high country of the North Island interior, wild horse roam and breed. With the trees gone, Dan Mitchell and the Sullivan brothers, turn to the wild horses as a source of income. With rope and snare - and the help of an experienced horse catching team - Sam and Sara's example, the rough ex-loggers learn to respect a delicate balance between the wild horses and their catchers. The best stallions are left to breed and their riding horses are retired back into the wild herds.

Anthropologist Max Scarry mysteriously disappears while doing excavation/research of a lost New Zealand tribe on a remote island. His wife and his twin brother Edward are clueless as to what could have happened, a situation complicated by their city's police suspecting that one of the brothers murdered a local prostitute who was found with a strange tribal charm on her body matching one found in Max's abandoned hut. What most certainly isn't helping matters is the strange behavior of Max's daughter as she seems to have visions beyond possibility, warnings of a supernatural threat and her uncle's fate - and she's the film's narrator, to boot. Edward decides to go to the island to find out exactly what happened, but the deeper he goes into the mystery the more perilous and unknowable his world becomes, leading towards a shocking fate that raises more questions than it answers. (cont. http://view-from-the-paperhouse.blogspot.de/2014/10/the-threat-of-ancient-echoes-lost-tribe.html)

During World War 2, a farmer in New Zealand murders seven people. The police, along with local Maori trackers, hunt him in the bush country.

When a young Australian hitchhiker, Judy (Peers), enters a prohibited forest area, she encounters Paul (Gil) whose job is spotting fires from a plane. She is invited to stay with him and his teen son, Billy. Later they go on a sightseeing flight in a "Tiger Moth" bi-plane, but having a forced landing, are accommodated by an odd elderly couple.