Toni Mihajlovski
Birthday: 1967-07-01 Place of Birth: Kumanovo, Macedonia
Synopsis
Toni Mihajlovski was born in Kumanovo, Republic of Macedonia. He is among the most popular actors in Macedonia. He finished college in Skopje on Faculty of Dramatic Arts. In 1994 he became a member of the Macedonian National Theatre. Acted in popular Macedonian movies as: Gypsy Magic, Goodbye, 20th Century, Bal-Can-Can, Punk's not dead, Third Half and others.
Acting
I Love You, I Swear
A junkie, a gambler and an accordion player get involved with a mafia while on their way to return a bought Albanian girl back to her father.
Black Wedding
After a horrible massacre in a village where twelve people lost their lives, the killer shoots himself in the head, but with a strange combination of circumstances, he still remains alive. Petar, a BIA operative, is trying to figure out what actually happened because the killer, before he shot himself, uttered the word "katabaza", the same one that his late son said before he committed suicide. The psychologist Natasha helps him in that, who, unlike Petra, rationalizes the whole case, and does not think that there is anything mysterious in it.
Stela
After an attempt of a suicide of a 11 year old bullied kid, Stela "a shepherd dog" is the only one that can get through him and restore his faith in life.
Leeches
Writer Petar Miric, at the time of the great social and political crisis in Serbia represents attitudes that conflict with the principles of the political regime. A close encounter with the State Security Authority leads him to life in paranoia and searching for the truth.
Bal-Can-Can
A Macedonian military deserter and his Italian blood-brother are searching for a dead grandmother wrapped up in a stolen carpet, all over the Balkan's criminal underworld.
Goodbye, 20th Century
In the year 2019, after global destruction and descent into savagery, the immortal Kuzman tried to discover his destiny in order to learn how to die. As he enters the whirling circles of time, we discover the blasphemy of our century, and how it is to close its circle.
