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Stênio Garcia

Birthday: 1932-04-28 Place of Birth: Mimoso do Sul, Espírito Santo, Brazil
Synopsis

Acting

Out of Sight
as    Paulo
Roberta is an employee of the Civil Police of Rio de Janeiro who infiltrates an energy realignment clinic to investigate the mysterious death of actress Antuérpia Fox. During the course of the investigation, Roberta will have to deal with the dramas of actress Natasha Ferrero, who is being "cancelled" on the internet, and with the reunion of her great love from the past, the federal police officer Rodrigo, who is investigating a suspicion of international trafficking involving the same clinic. For this mission, she will have the support of Isabela, her therapist, with whom, little by little, she forms a great duo.
Mulher Oceano
as    Pai de Ana
After relocating to Tokyo, a Brazilian writer begins a new novel, provoked by her experiences in Japan and by one of the last scenes she witnessed in Rio de Janeiro: a female swimmer tearing up the horizon with powerful strokes in the wide, open sea. Those two women apparently share no connection, until their lives start to interfere in one another, strangely linked through the sea. Hannah, the writer, plunges into a journey of self-discovery in Japan, while Ana, the swimmer in Rio de Janeiro, oddly has her body transformed into some kind of inner Ocean.
The Asphalt Kiss
as    Aprígio
When witnessing a hit, Arandir, a newly married banker, tries to succor the victim, but the man, almost dead, has only time to make one last request: a kiss. Arandir kisses the man, but his act is spotted by his father-in-law Aprígio and photographed by Amado Ribeiro, a tabloid reporter.
The House of Sand
as    Luiz (1942)
A woman is taken along with her mother in 1910 to a far-away desert by her husband, and after his passing, is forced to spend the next 59 years of her life hopelessly trying to escape it.
Redeemer
as    Acácio
Célio Rocha believes he was assigned by God Himself a difficult mission: to persuade his childhood friend Otávio Sabóia, a corrupt entrepeneur in the construction business, to give away all his possessions to the poor.
At Play in the Fields of the Lord
as    Boronai
Martin and Hazel Quarrier are small-town fundamentalist missionaries sent to the jungles of South America to convert the Indians. Their remote mission was previously run by the Catholics, before the natives murdered them all. They are sent by the pompous Leslie Huben, who runs the missionary effort in the area but who seems more concerned about competing with his Catholic 'rivals' than in the Indians themselves. Hazel is terrified of the Indians while Martin is fascinated. Soon American pilot Lewis Moon joins the Indian tribe but is attracted by Leslie's young wife, Andy. Can the interaction of these characters and cultures, and the advancing bulldozers of civilization, avoid disaster?
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