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Mick Taylor

Birthday: 1949-01-17 Place of Birth: Welwyn Garden City, Hertfordshire, England, UK
Synopsis

Michael Kevin 'Mick' Taylor is an English musician, best known as a former member of John Mayall's Bluesbreakers (1966–69) and The Rolling Stones (1969–74). During his tenure with those bands, Taylor gained a reputation as a reliable technical guitarist with a preference for blues, rhythm and blues, and rock and roll, and a talent for slide guitar. Since his resignation from the Rolling Stones in December 1974 at age 25, Taylor has worked with numerous other artists as well as releasing a number of solo albums. He was ranked 37th in Rolling Stone magazine's 2011 list of the 100 greatest guitarists of all time.

Acting

The Quiet One
as    Self
Featuring never-before-seen home movies and photographs, musician Bill Wyman opens up his vast personal archives to share stories and memories of his three-decade stint as bassist of the Rolling Stones.
The Rolling Stones: Stones in Exile
as    Self
In 1971, to get breathing room from tax and management problems, the Stones go to France. Jimmy Miller parks a recording truck next to Keith Richards and Anita Pallenberg's Blue Coast villa, and by June the band is in the basement a few days at a time. Upstairs, heroin, bourbon, and visitors are everywhere. The Stones, other musicians and crew, Pallenberg, and photographer Dominique Tarle, plus old clips and photos and contemporary footage, provide commentary on the album's haphazard construction. By September, the villa is empty; Richards and Jagger complete production in LA. "Exile on Main Street" is released to mediocre reviews that soon give way to lionization.
Mick Taylor Band: New Morning - The Tokyo Concert
as    guitar, Vocals
Footage of Mick’s concert in Tokyo in 2009! It features a number of songs from the set including Blind Willy McTell and the band features Jeff Allen, Max Middleton, Kuma Harada, Denny Newman and of course Mick on guitar and vocals
John Mayall & The Bluesbreakers And Friends: 70th Birthday Concert
as    Self
Not all that many blues musicians (or any other kind, for that matter) live to 70, so British bandleader John Mayall had good reason to celebrate when he reached that milestone in 2003--and celebrate he did, with the admirable, 137-minute John Mayall and the Bluesbreakers: 70th Birthday Concert to show for it. Mayall, a capable if not exactly stellar singer and multi-instrumentalist, is best known for the many fine players who passed through his band over the years, and Eric Clapton, the most renowned of the lot, is on hand here, as is former Mayall/Rolling Stones guitarist Mick Taylor. Clapton sings several tunes in addition to playing his trademark stinging solos on "Hideaway" and "All Your Love" (two of the tunes most responsible for the "Clapton is God" graffiti seen around London in the '60s), while Taylor is mostly impressive as well.
Ladies & Gentlemen, the Rolling Stones
as    Self - Guitar
A concert film taken from two Rolling Stones concerts during their 1972 North American tour. In 1972, the Stones bring their Exile on Main Street tour to Texas: 15 songs, with five from the "Exile" album. Mick Jagger, Keith Richards, Mick Taylor, Charlie Watts, and Bill Wyman on a small stage with three other musicians. Until the lights come up near the end, we see the Stones against a black background. The camera stays mostly on Jagger, with a few shots of Taylor. Richards is on screen for his duets and for some guitar work on the final two songs. It's music from start to finish: hard rock ("All Down the Line"), the blues ("Love in Vain" and "Midnight Rambler"), a tribute to Chuck Berry ("Bye Bye Johnny"), and no "Satisfaction."
Cocksucker Blues
as    Self
This fly-on-the-wall documentary follows the Rolling Stones on their 1972 North American Tour, their first return to the States since the tragedy at Altamont.
Gimme Shelter
as    Self - The Rolling Stones Member
A detailed chronicle of the famous 1969 tour of the United States by the British rock band The Rolling Stones, which culminated with the disastrous and tragic concert held on December 6 at the Altamont Speedway Free Festival, an event of historical significance, as it marked the end of an era: the generation of peace and love suddenly became the generation of disillusionment.
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