Tinto Brass
Birthday: 1933-03-26
Place of Birth: Milan, Lombardy, Italy
Synopsis
Giovanni "Tinto" Brass (born 26 March 1933) is an Italian film director and screenwriter. In the 1960s and 1970s, he directed many critically acclaimed avant-garde films of various genres. Today, he is mainly known for his later work in the erotic genre, with films such as Caligula, Così fan tutte (released under the English title All Ladies Do It), Paprika, Monella (Frivolous Lola) and Trasgredire.
After Salon Kitty (1976) and Caligula (1979), the style of his films gradually changed towards erotic films. Caligula was originally supposed to be a satire on power instead of an erotic film, but the producers changed and re-edited the film entirely without Brass's consent, removing many political and comical scenes, and shooting sexually explicit sequences, to make the film a pornographic drama. The director demanded that his name be stricken from the credits, and he is only credited for "Principal Photography". Despite this, the film remains his most widely viewed work (and the highest-grossing Italian film released in the United States). Other notable works of Brass's later period include The Key (1983) and Senso '45 (2002). He was making films into his seventies.
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Acting
Inferno Rosso: Joe D'Amato on the Road of Excess
as Self (archive footage)
Who was Joe D'Amato aka. Aristide Massaccesi? A genius of horror in the USA, a master of eroticism in France, the king of porn in Italy. A man with a thousand pseudonyms capable of making over 200 films while simultaneously holding the roles of producer, director, author, director of photography and even camera operator. An artisan of cinema as he liked to call himself, capable of working on all film genres. From spaghetti western to post-atomic, decamerotic to glossy eroticism, and blockbuster porn to bloody horror. Guided by the aesthetics of extremes and supported by an undeniable technical ability, Joe D’Amato pushed himself, and the viewer, beyond all limits following with dedication three rigid principles that have become his stylistic code: Amaze, Shock, Scandalize.
Searching for Valentina: The World of Guido Crepax
as Himself
1965: Paris, London and Milan all move at the same fast pace, fueled by a fresh creative and rebellious impetus. Guido Crepax picks up on this energy and transfers it to a comic strip in which art, music, design, film and fashion all blend together, breaking with traditional narrative structure. The dreamy photographer Valentina becomes Crepax' alter ego: as lovely as Louise Brooks, as disturbing as one of Lucio Fontana's slashed canvases, as knowing as Bob Dylan's lyrics, and as freewheeling as Charlie Parker's compositions.
Istintobrass
as Self
One of the most controversial, original and loved figures of Italian cinema. The most censored director of all time. An anarchist of the film, a gifted experimenter, an inventor of dreams. A truly great artist.
P.O. Box Tinto Brass
as Tinto Brass
A successful erotic film producer from Rome regularly receives letters from female fans seeking his advice on how to spice up their sex lives. Thanks to his years of experience in both the film business and the sex industry, he has all sorts of tips at the ready and, in an emergency, is happy to make a house call himself to demonstrate his qualities in person.
