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George de la Peña

Birthday: 1955-12-09 Place of Birth: New York City, New York, USA
Synopsis

​From Wikipedia, the free encyclopedia.   George de la Peña (born December 9, 1955) is an American ballet dancer, musical theatre performer, choreographer, actor, and teacher. He was born in New York City, New York, U.S. Originally trained as a concert pianist, de la Peña switched to ballet while studying at the High School for the Performing Arts in New York City. He graduated from George Balanchine’s School of American Ballet. He joined American Ballet Theatre in the 1970s, rapidly rising to soloist. While at ABT, de la Peña danced in works choreographed by Mikhail Baryshnikov, Agnes de Mille, Kenneth MacMillan, and Jerome Robbins, among others. By 1985, de la Peña and his then-wife, Rebecca Wright, had both left ABT and relocated to California. (De la Peña and Wright had two children before they separated.) He and Ms. Wright can both be seen in Baryshnikov's production of The Nutcracker, on television and on DVD. De la Peña began acting when he was cast as Vaslav Nijinsky in Herbert Ross's film Nijinsky (1980), and for some time thereafter he was typecast in Russian roles. (In a 1983 interview in the New York Times, an exasperated de la Peña, who is of mixed Russian and Argentinian descent, pointed out that producers thought he was not a native English speaker.) He appeared on Broadway in Woman of the Year, the revival of On Your Toes, the notorious flop The Red Shoes (Drama Desk Award nomination), and Chronicle of a Death Foretold (Drama League Award). While living in Los Angeles during the 1980s, he performed in Cats and various regional productions. His film and television credits include Personal Best (1982), The Flamingo Kid (1989), Brain Donors (1992), Mighty Aphrodite (1995), and guest appearances on shows such as L.A. Law and Star Trek: The Next Generation. He was last seen in the film The Dust Factory, with Hayden Panettiere and Armin Mueller-Stahl. De la Peña has taught at universities across the country, including CalArts, Connecticut College, and the University of Iowa. He continues to teach for ABT. A director and choreographer for both theatrical works and concert dance, he assisted figure skater Debi Thomas with her routine for the Olympics. He frequently collaborates with the choreographer Martha Clarke. George is a member of the Lincoln Center Theater Director’s Laboratory. Description above from the Wikipedia article George de la Peña, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Acting

The Dust Factory
as    Ringmaster
Ryan is a teenager who lacks the ability to speak. One day, Ryan falls off a bridge and he finds himself transported to a strange fantasy world where he encounters his Grandpa Randolph and a pretty girl named Melanie; together, Ryan and Melanie learn to help one another with their problems, and they both discover the wisdom they can gain from elders like Grandpa Randolph.
One Last Dance
as    Max Delano
In the wake of tragedy, a renowed New York dance company is on the brink of collapse. After leaving the dance world for good, Travis, Chrissa, and Max are pulled in to resurrect the dance that shattered their careers. They have one last chance to save the company, re-connect with the passion and magic, and prove that miracles really can happen.
Brain Donors
as    Roberto Volare
Three manic idiots—a lawyer, cab driver and a handyman—team up to run a ballet company to fulfil the will of a millionaire. Stooge-like antics result as the trio try to outwit the rich widow and her scheming big-shot lawyer, who also wants to run the ballet.
Kuffs
as    Sam Jones
George Kuffs didn't finish high-school, just lost his job, and his college-age girlfriend is pregnant. To top it off, George's brother Brad is killed and George inherits Brad's "patrol special" privatized police district and all the problems that come with it.
Nijinsky
as    Vaslav Nijinsky
The film suggests Nijinsky was driven into madness by both his consuming ambition and self-enforced heterosexuality, the latter prompted by his romantic involvement with Romola de Pulszky, a society girl who joins impresario Sergei Diaghilev's Ballets Russes specifically to seduce Nijinsky. After a series of misunderstandings with Diaghilev, who is both his domineering mentor and possessive lover, Nijinsky succumbs to Romola's charms and marries her, after which his gradual decline from artistic moodiness to complete lunacy begins.
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