A highly entertaining Sci Fi German classic A year before Germany would change. Hans was good as the aviator flier Ellison wanting to encourage the development of the plat form,by stealing it and putting it in the office of his old friend Droste ,played by Paul Hartman.Sybil Schmitz plays the Heiress to the main company,whom she has a percentage of investment in it, that same year she was in Vampyr.A pudgy and blond hair Peter Lorre plays his sidekick and photo journalist.Well eventually this platform is built.Sybil for a while has Romantic interest in Hans,but,she has a conflicting interest in Hartmann.Well after everything is built ,right before it opens,Herman Speelman, part of the ship , all of a sudden declares mutiny and shoots Paul Hartmann and start to Gas everyone.When Sybil pleads, to Hans, to take her to f.p.i. to find out what happen to Paul,he agrees.When both arrive and Hermann take off, Sybil shows her true color about Paul,he's only injured.After waking everyone up the crew want to quit .So they leave except a few.But when Paul Hartmann takes his pale out to leave ,Hans takes off to go to a ship and to inform ,on radio about the availability of the platform for planes.It finally does business,Rudolph Platte shows up as a radio operator ,who is shot .This was worth watching and collecting too at Grape vine video,which also has English version, and ,I think Germnwarfilms.com 8/25/13

F.P.1 Antwortet Nicht is a piece of science fiction from the dying days of the Weimar Republic that has dated poorly compared to the likes of Metropolis or even Die Frau im Mond. Like much modern Hollywood "science fiction" it is, in fact, just an adventure tale with some futuristic elements attached, in this case, an artificial island in the mid-Atlantic. There is no real satire or estrangement effect present here. It is this lack of depth that undermines this tale. There is no commentary on the social and economic crisis in Germany nor is there anyway of looking at humanity from an outsider's viewpoint, which Darko Suvin for one considers the defining aspect of true science fiction.Coupled with this is the weak acting and hackneyed plot making this film a generally-weak effort.The main value one could derive from this film nowadays would stem from viewing it from the perspective of an "alternative history" tale. It does still convey some sense of wonder from its impressive sets and cinematography. If one is prepared to view it on those terms, one could gain some enjoyment from the film but, otherwise, this is very much of its era and deservedly forgotten.

The famous pilot Ellissen (Hans Albers) helps his friend Droste (Paul Hartmann) to have FP1 built, a platform in the middle of the Atlantic Ocean which will make a connection between the continents possible (in a time when non-stop flights with passengers were science fiction). During the years when FP1 is built and Ellissen is far away, his girlfriend Claire (Sybille Schmitz) falls in love with Droste. Saboteurs try to destroy FP1, so Ellissen must come to the rescue. "FP1 antwortet nicht" is an excellent piece of work for its time. First, the science fiction novel by Curt Siodmak provided a spectacular story. But then, Albers portrays a really interesting hero, a man who often doesn't succeed (he loses his plane in a crash in Australia, he loses Claire to his best friend) but always comes back. Claire tried to teach him the advantages of a normal life, but no, it will always be adventure for him, "life is too short", he once says. With this charismatic performance, it is easy to see why Albers was one of the most popular stars of his time. Peter Lorre of "The Maltese Falcon" fame is responsible for the comic relief here as a photographer who tries to get the first picture of FP1. Last not least, a memorable musical score with the theme song "Flieger, grüß mir die Sonne" contributes to the fame of the movie.

This big-budget technothriller-romance was state-of-the-art for 1932, featuring a top-notch cast (especially Hans Albers as the rowdy, untamed hero and Peter Lorre as his long-suffering sidekick) and a lickety-split plotline in which industrial sabotage, sexual politics and the psychology of heroism are artfully intertwined. An English-subtitled video version of this SF classic is long overdue.