'Ski Troop Attack' must be one of the lousiest war war movies ever made, and it is by far the worst Roger Corman's movie. The film is incoherent and sloppy (not unusual traits for Roger Corman's film), but at the same time it lacks that unique taste of cheese and sleaze. The film is not laughably bad, by that I mean 'Ski Troop Attack' don't fall into beloved category of 'so bad it's good' - that particular film is just bad. By the time the film reaches it's climax you don't even care anymore.The story in general is not that bad - in a snowy German forests and mountains US Army ski patrol has to cross behind enemy lines to blow up strategically important railroad bridge. The squad have to defend themselves against constant attacks of German troops. Within the group there are conflicts between young lieutenant (Michael Forest) and hard talking sergeant (Frank Wolff), but these quarrels stay too calm and never grow into real competition. Basically, nothing that much different compared from other war movies. There was one interesting scene between American troops and a wife of a German soldier that promised something different, but that opportunity was left fully exploited.I don't call any movie a waste of time ever (not even in this particular case), but I wouldn't recommend that movie to anyone. 'Ski Troop Attack' is suitable watching only for hardcore Corman fans who are interested of how dull and dreary snore-fest on of the most interesting and entertaining filmmakers can produce. Sloppily directed, poorly written, badly edited. Well, what did you expect, some might ask - I expected to be entertained.

Shot in a couple of weeks by Roger Corman, Ski Troop Attack was cobbled together in such a hurry it's a minor miracle it emerges anything other than an unmitigated disaster. At the time, Corman's brother Gene was in the process of producing Beast From Haunted Cave in some mountains in South Dakota, with Monte Hellman directing. Never one to miss the opportunity of recycling existing resources, Roger bagged the same sets (and many of the same actors) to create Ski Troop Attack - a 60 minute wartime quickie blending actual staged actors and scenes with bits of stock WWII footage. Surprisingly, given the nature of its production, the film hangs together reasonably well: it has a serviceable plot, something approaching real character dynamics, and a fairly solid structure. The acting is generally unremarkable, the editing and cinematography are entirely average, but for this brand of low-budget Corman quickie Ski Troop Attack remains a decent enough offering.A five-man reconnaissance unit led by the young and inexperienced Lt. Factor (Michael Forrest) are on patrol in the snow-swept Ardennes Forest in the winter of 1944. Factor is endlessly at odds with his second-in-command, the older, more battle-wearied and bloodthirsty Sgt. Potter (Frank Wolff). Potter has a taste for killing Germans even though the company has strict instructions to monitor the enemy, not engage them in combat. Suddenly, the German army launches an unexpected offensive and Factor finds his small band at the forefront of the action, in a unique position to observe German movements and report back to HQ. Potter is keen to pick a fight with the enemy rather than skulking in the shadows, but Factor is determined to sneak about gathering valuable information about the enemy's strategy. Factor's small unit soon discover that the Germans are moving supplies and equipment along a vital rail route which crosses a high mountain bridge. The bridge is in a narrow mountain pass, very difficult to strike from above with airpower... but from a ground attack it may be possible to destroy it. They plan to sabotage the bridge, but the job is fraught with danger. Early on in Ski Troop Attack, the script seems to be sowing the seeds of an interesting clash of interests between Lt. Factor and Sgt. Potter, but this character conflict sadly never evolves into anything of note. Wolff if actually quite good as the snarling, cynical Potter (he's by far the one actor who stands out above the others), but he's surrounded by otherwise mediocre performers. The WWII footage is obviously of a different stock to the dramatic scenes, but it is used sparingly and the differences in the grain never become overly distracting. At 60-ish minutes in length, the film is brief enough to keep your attention and is put together with more coherence than, say, some of the other Corman quickies from the period (such as the dire She-Gods Of Shark Reef or Attack Of The Giant Leeches). While it never ates as a first-rate Boys Own behind-enemy-lines flick, Ski Troop Attack remains competent and enjoyable in its simple, unambitious way. Basic B-movie fodder, but not entirely unenjoyable - you could do a lot worse!

This is a very average war film. We follow a small group of soldiers on skis.For low budget, this works very well. Of course, what Corman and others call low budget is still much more than most of us will ever get our hands on.We get the story of 5 men, but it soon becomes 4, so 4 characters are followed through. They stray just slightly off the common stereotypes, but not much. We have the leader and second in command at some odds, with a split between the other two men aligning with the two leaders.We get the excitement of the film feud with the two other men as well, much as minor characters cajole each other in films like "Escape From Fort Bravo" and "Warpath". This one has the Norhterner-Southerner reference, and we feel either both will perish, or both will survive.The uniforms and vehicles are different, and the scenery makes this unique in war films. Not a great film by any stretch, but not close to the worst.

Another moment when the low rating for a film at IMDb doesn't make sense.A tight, taut, tough-minded little war movie, this is Corman on a low budget at his absolute best. Most of Cormans problems in his early years derived from a lack of knowing where to cut scenes and move on, and a fatal dependence on the performances of inadequate actors. The editing here is very crisp - even the use of documentary footage is handled well, although its grain admittedly never meshes with that of the film as a whole. And while the acting remains unexceptional, it never becomes excessive in an amateurish way, and it fits with the overall gritty realism of the picture.Corman benefits here from a surprisingly strong story and script that leaves its thematic issues open to interpretation. The issues receive temporary resolution by the end the hard way - through combat, as is most often the case in a war.I'm not saying this is a forgotten masterpiece, but it is certainly worth a view, and at 63 minutes hardly threatens to tax one's patience.