That Girl in Yellow Boots, is a film which unapologetically isn't well- known to the world. But as usual, these aspects are sadly common for Anurag Kashyap's brilliant films. This movie is a must watch for everyone, especially thriller lovers. Kashyap takes his own pace in the revelation of the plot step by step. His mannerism of portraying the main character is flawless and fearless. This film is a unique take on daily issues of life, where some parts reach the extreme level. A story of a girl searching for her father, whom she believes to have loved her, yet abandoned by her family takes it's own pace in cracking shocking mysteries and truths. This film is another bold attempt by Anurag Kashyap in his directorial ventures. For real thriller lovers and movie buffs, this is a must watch. Overall rating: 7.9/10 (77%)

After a very impressive Dev D, Anurag Kashyap returns with this gritty film with the terrific Kalki in the lead. That Girl In yellow Boots is Kashyap's best work so far that makes you think about the world around. Seen through the eyes of a Londoner living illegally in Mumbai, it explores her struggle to thrive amongst people who all want a chunk of her. It is just a little longer than an hour but it conveys volumes in the limited time.It starts by sarcastically mocking at the government officials while Kalki gets her Visa renewed. Then the story unravels bit by bit and Kashyap takes his time to set the ball rolling. The most interesting character is the small time gangster Chittiappa. The scene where Kalki fakes a story to him is terrific. Other characters are the coke-snorting boyfriend, the flirtatious receptionist, lustful customers who want a hand job from her and we also have a positive character played by Naseeruddin Shah.Firstly, Kalki Koechlin is simply outstanding in the title role. She is funny at times, evokes emotions with aplomb and carries a suave personality throughout. Her outburst in the end and the following scene where she silently boards a taxi is superb. The camera lingers around the characters and the world around them and creates a jagged atmosphere you cannot but look. Anurag handles his sequences effectively. Chittiappa's entry and the following scene at Kalki's house is the best scene in the enterprise. Chittiappa is excellent.Well, not much to write about this intelligent film which is best experienced than heard about. Highly recommended.

I have always admired Anurag Kashyap for touching themes that scare away others in his field of work and for always creating his own thing from his own vision without succumbing to convention. His 'Gulaal' is among the best of recent Hindi cinema. His, 'Dev D' was an interesting albeit flawed adaptation that introduced Kalki Koechlin.Koechlin and Kashyap reunite in their latest venture 'That Girl in Yellow Boots'. It's definitely a brave film especially in how graphic it is (for a Hindi film) but flawed too. The pacing is very slow and the film itself is predictable. The final 'revelation' which is supposed to be a surprise, is easily foreseeable. The story too feels a little detached. Perhaps Kashyap intentionally wanted the characters to be detached from each other but the story does not resonate with the viewer and that's where the main problem lies.At the same time, this is an exceptionally well-made film. The art direction gives it an authentic look. The sound effects, visuals, score, lighting and cinematography are first rate. Kashyap has treated each scene with care and most of the emotional sequences have been handled very well.Kalki Koechlin (who also co-wrote the screenplay) delivers a remarkable performance. She downplays her part very effectively. Naseeruddin Shah is a welcome presence. Pooja Swaroop is brilliant. The actor who plays the father performs poorly which is quite a downer.Overall, it's not among Kashyap's best, far from it. It isn't a bad film but not a memorable one either.

This was a difficult movie to watch. I found it quite ugly in its portrayal of India, especially Indian men. The film is dark in tone, and filmed in a lot of darkness and shadow.The story is probably fairly common. There is a 20-year old woman who is looking for her father, living in India. She is there on a temporary visa, so she works illegally in a massage parlor, offering massage and a "happy ending" to various male clients. Her "boyfriend" doesn't offer any relief from the poor portrayal of these guys. You could applaud her perseverance, but it's a sorry tale. I wondered what the wonderful Naseeruddin Shah was doing in such a movie, but his character provides the one bright spot in the story.Sorry to say that I felt like I had to disinfect myself after watching this...a tough one to enjoy - more like a movie to endure.