Monica is 13 years old and has already created her own world, on the street, where she fights courageously to defend what little she has: her friends, her boyfriend, who sells drugs, and her dignity and pride that makes no concessions to anyone. On Christmas night, like every night, she sells roses to make a living. But life brings her a new appointment with loneliness, poverty, drugs and death.
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The way Gaviria works with his natural actors and actresses, made it possible to recreate, with real life homeless kids, the way of living in the street for those who life didn't give a chance. This film has the power to show the crudeness of the Medellín streets and its habitants without taking position, or judging, but also without having innocents, because, in a way, we are all part of it. Gaviria's most important characteristic is how he manage to enter deeply into the world of the ones who are placed aside, without contaminating their version of life, getting this people to talk and "confess" the things they have had to pass through, with the most sincere and professional investigation.
i came upon this film @ the library and comparing the film to the summary given, i was literally taken aback. We are immediately thrown into the fast paced, distracting and intense urban climate in which these children survive. I had some difficulty reading the subtitles and absorbing the story, for the children speak quickly and move swiftly (minus the glue huffing). At times I was questioning whether this film could be part documentary , part true story. the child actors are comfortable around and maturely aware of the camera, their deft improv dialog feels habitual and routine, as if they have and do live this lifestyle. Reminiscent of "CHildren Underground", this film will call to your heart and your curiosity. It amazes me how the children narrowly escape havoc or ruin with every step.Bravo to this powerful film.
This is not a movie to entertain, it is meant to open the viewer's eyes to the "invisible" world of homeless children in Latin America. This is more a documentary than a film but the plot, based loosely on Han Christian Anderson's "The Match Stick Girl," is strong and compelling. Painful to watch at times, it is meant to be disturbing. Which is why I can say it I liked it and I recommend it, even though it haunted me and robbed me of sleep and I don't believe I will ever see it again.These young people survive in the streets with no supervision and no one to provide for them, yet they are still going through the same tumultuous problems of the average teen; boyfriend-girlfriend troubles, gossip, friendship betrayal, and so on...and they cope with all their problems by sniffing glue. With the effects of the glue showing itself in these children one scene after the other it can seem to be too much as the plot begins to come together.It is my understanding that the majority of the children were not actors but real street kids, and although the plot was scripted by the filmmaker the children were just being themselves, showing us a voyeuristic peek into their lives. And on a more disturbing note; none of these children have survived the street.This incredible film is a must see for anyone interested in film as more than entertainment.
I enjoyed this movie and I think it was well done for us who don't really know what is happening outside our world. It reminded me of Mira Nair's movie Salaam Bombay and likewise depicted the lives of small children living in the street. I do recommend it to others.