SABU's debut feature 'Dangan Ranna', or 'Non-Stop' depending on your preference, is a bit of a mixed bag. A film about running, this is both slow and fast, violent yet humorous, some parts good, some parts bad. Ironman Tomorowo Taguchi plays Yasuda, an inept man in work, romance and society in general. Annoyed at the world, he gets himself a gun and plans to rob a bank. And this is where the small stabs of humour arise. Forgetting to get himself a mask to cover his face for the job, he jumps into a convenience store to get one. But with thievery on his mind, he decides to try and steal one, and the alert clerk picks up on the would-be thief. A stand-off ensues, with Yasuda firing his weapon and escaping the resulting melee. Yasuda then runs, pursued by the clerk, whom is then introduced to us as failed musician and drug addict, Aizawa in the form of flashbacks. Troubled by a yakuza hassling him for money and high on smack, he runs after Yasuda. Neither looking to stop anytime soon, we follow their running through the streets, passing Aizawa's yakuza agitator, Takeda. Also troubled by the recent murders of his boss and 'aniki', Takeda follows the chase in pursuit of Aizawa. What then follows is three men running, with seemingly no stopping likely. SABU chooses to break up the running with flashbacks of the trio's lives, showing this is not a film about what the three are running after, but running from. All are troubled, and the endless running is their escape from their daily lives, acting as therapy as they mull over their problems. Seriousness though is mixed with humour, with the three all having sexual fantasies about a random woman they run passed, a free promotion acting as a marathon-style drinks break and running over Tokyo's Rainbow Bridge, only to run back over it in the opposite direction. As the film develops, however, more characters are brought in. A yakuza war develops as a subplot and a group of four bored policeman exchange dialogue about their favourite guns. It's the introduction of a wider story where the film gets a little lost and confused in trying to build toward the conclusion. And that's maybe the film's problem: While a nice set-up with the reasoning for the three men running from life, how to bring it to an end is difficult, with the film's alternate title 'Non-Stop' maybe wishful thinking for SABU. This could have been kept as a short, ending with the characters simply running and running. But obviously as this is a feature, some sort of conclusion is required. This may be where some naivety for a debut director comes in, but the film's end is not a total disaster. A strong idea, with a good balance of humour thrown in where necessary, this is filmmaking for the fun of it. Released two years before Germany's 'Run Lola Run' - a film also short and undecided on its conclusion - it shows SABU is a filmmaker with lots of interesting and playful ideas to work with, though as a then novice, maybe this idea just ran out of a little steam. politic1983.blogspot.co.uk

Japanese indie film with humor and philosophy where the three main characters run literally almost through the entire film, chasing each other due to strange circumstances and comical coincidence. As they are running, we see what is going on in their minds and how they got where they are at the moment. The act of running is a metaphor for these down-on-their luck people's lives. In some way, what they're really chasing for is not what they were originally chasing, but for meaning in their lives and an escape from their personal problems and broken dreams. Running makes them all feel truly alive. The big life-altering running adventure comes to an end when they accidentally get in the middle of something big, violent, and so absurd that it's funny in a clever way. One of my favorite films of all time by genius director Sabu.

A lot has already been said on this movie and I' d like to join those who praised it. It's a highly unique film which uses elements of different genres: drama, comedy, gangster film without making a mess of it. At points you just laugh out loud, at other points you feel for the characters whose mistakes and failures you watch. Sabu's genius can be shown with regard to some sequences of the movie. One is that where all three men chasing one another have an erotic day dream about a young woman that they just passed by on the street. This sequence is beautifully done and illustrates the characters of all three runners very well. It is erotic and funny at the same time. Another example of Sabu's genius is the part of the film where the runners get tired. First one of them, the typical loser among the three guys, hallucinates that the woman that left him for someone else is back again and you see them dancing with one another and in the next shot him dancing with himself which is deeply moving. All of the runners get to this point where they think that have something back they lost or are on track again. And at one part of the movie they stop chasing each other, running in line, just laughing.So here is it all the beauty and the ludicrousness of what we call life which Sabu manages to show throughout the film. His characters fail (do they at the end?) but he doesn't rob them of their dignity. "Monday" and "Postman Blues" that do justice to Sabu's claim that he is a genius. Go watch them!

This movie was a weak, weak attempt to implement a possibly clever idea. The story is pointless, the characters are two dimensional stereotypes with unbelievable motivations and the jokes are just plain lame. Although I did actually laugh once, it was at the main character's horrible acting. For a story, some guys run around and then some other guys shoot each other and there's some gratuitous nudity, exploited in a pitiful attempt to retain the male viewer's attention (Any female viewer would surely not even be watching at this point as the average female iq is about 3 points higher than the male iq, giving the female just enough intelligence to not rent this waste of celluloid in the first place). The director lists himself simply as "Sabu" which is perfectly understandable: If I had made this movie, I wouldn't want my last name on it either.