Stumbled on this gem somehow. As others have already noted, beautifully photographed. A tricky job of balancing everything to stay on point, not fall into melodrama, and present a meaningful story. There were a couple of flaws. Biggest flaws the easy predictability in a key scene. Second biggest flaw is why the letters stopped coming. There is, of course, a key scene that might explain this but the suddenness catches the view off guard. Actors did a superb job and music choices were spot on. Contrary to other views, the length, give the material, was about right. The only alteration might have been more/different letters but the point was made. Highly recommended if you haven't seen it even though it's been out for a while.

Have you ever seen a movie that just sneaks up on you? You find yourself watching a film that seem okay and then suddenly you realize that it's really a magnificent and moving picture? Well, I sure have and I wish it happened more often, that's for sure. Like "My Afternoons with Margueritte", "Letters to Father Jacob" is one of these sweet pictures. But, because it sneaks up on you, be sure to pay attention and fight that urge to turn it off--it's a terrific little film.The film begins in prison. Leila has been pardoned for her crime but she refuses to leave! It seems she has no where to go and is content to stay in prison. However, an old blind priest named Father Jacob has requested that she be paroled to him--as a housekeeper. She is not thrilled but has no other options and moves in with the guy. Her job is to do light housekeeping as well as read letters to him. Apparently, he's received thousands of letters from people requesting his advice and prayers and that is his ministry. Leila seems pretty bored by this and even begins tossing many of the letters away and contemplates running. However, she stays and then it happens--the film really goes right for the heart. I won't say more--it would spoil it. However, suffice to say it was NOT predictable, many questions are answered and you should have some Kleenex nearby. The bottom line is that this film is exceptional--great writing, wonderful natural acting by folks who do not appear to be professional actors (though they are--especially Heikki Nousiainen who has had many film appearances) and the direction was just wonderful. If you don't mind a film without explosions, super-stars or glitz but just want a great film about people, give this one a try---you'll be glad you did!

This superlative film from Finland shows, better than most, how to tell a story with few words. The director, Klaus Haro, definitely shows the same skill with visual story-telling as that consummate master, Nuri Bilge Ceylan, famous most recently for Once Upon a Time in Anatolia (2011).The plot is simple: a youngish woman, Leila (Kaarina Hazard) is released from a life sentence in prison to take up a job as a personal assistant to a blind priest, Pastor Jacob (Heikki Nousiainen) out in the boondocks. Leila settles in, reading the pastor's letters from supplicants and writing necessary replies. Leila is not happy though; she resists Jacob's attempts at friendship; she avoids helping in other matters; she remains aloof, uncaring, unsatisfied. Until, one day, she notices that the postman fails to bring more letters for Jacob, and Leila discovers that things are never quite what they seem to be.The underlying story is complex, lyrical, philosophical, and ultimately heart-warming without being sentimental. The acting is simply perfect for the context: Kaarina Hazard, with a large bone structure, deep frowning face and brusque manner is every bit the ex-con and depressive personality – but why was she serving a life sentence? Why was she released? And why was she sent to the pastor, of all places?As the pastor, Heikki Nousiainen, is equally adept at portraying a gentle sage near life's end, supremely faithful to his god, forever upbeat and friendly, always with a gentle word for all, even for those who despise him, as Leila seems to do, at first. Dialog is sparse. Often, all that is needed is a quick look, a glance, a sigh, a slight groan of disquiet, as the two get to know each other and while the days meld into a seamless, almost timeless stasis with the gorgeous Finnish forests. Some comic relief is provided by the wary attitude of the postman towards Leila, as he brings the letters for Pastor Jacob.The sound track – mostly piano – is muted and fits the overall mood. We see the wind in the forest, and hear the river water. But, more than that, we hear the silence, particularly when the two sit, contemplating each other and their inner selves. The rain falls, the water drips through the ceiling into pots or buckets, and life must go on. Even for the Leila's of the world...It's a credit to the script writer and director that I was never squirming in my seat eager for something to happen. In fact, that never impinged upon my involvement with the unfolding story: so that's perfect pacing for me. My only criticism, though, is that story lacks true believability: it's possible, yes, but highly improbable in real life.No story is ever perfect, however. This one, though, comes close by promising nothing up front; and then, with a denouement that arrives like a meteor, it rips away any comfortable sang-froid to show us that, if you're prepared to dig deep within, you will indeed find promises to keep.Highly recommended for all adults, young and old. Eight out of ten for this effort, no question.February 28, 2013

Now here is a movie that everybody should see. A sad story, though not sentimental. The optimistic ending leaves you in a comfortable feeling that even the worst situation can turn to better.The Finnish landscape is beautifully pictured. Postcard like sceneries. Two brilliant actors, the directing is what you may expect from Härö: simply brilliant, as true as life.The filmmakers have shared a very strong trust in humanity. The most warmhearted priest meets a woman whose fate has been to suffer a jail sentence that should never have been judged.Do yourself a favor, watch this film.