When skiers in Japan come across the frozen body of centuries-old samurai warrior Yoshimita, scientists secretly whisk the corpse to a high-tech laboratory in California, where they bring him back to life. But when Yoshimita escapes onto the mean streets of 1980s Los Angeles, his ancient and strict code of honor gets him both into and out of trouble. J. Larry Carroll directs this low-budget action fantasy.
Reviews
A moderately interesting start, some pretty scenes in sixteenth-century Japan, and a promising idea. But the execution? The comparison that springs to mind after about fifteen minutes is "Cannibal Women in the Avocado Jungle of Death." Really. A specialist in "Oriental history" who doesn't speak any Japanese, walks on tatami without removing her shoes, and is generally dumb as celery? Please. This looks like a student film: the sets are risible, the acting (except, perhaps, for the title character) close to wooden, the plot utterly arbitrary. At least "Cannibal Women" was funny! This is best watched with someone who knows something about Japan, just to watch disbelief repeatedly crawl across their face.
Instead of trotting out a generic plot, "Ghost Warrior" is propelled by it's imagination. Suspend disbelief, sure, but this "fish out of water" scenario works. The story is straightforward and almost fable-like. The introduction of an honorable 16th Century fighting arts master to the sometimes dishonorable reality of modern Los Angeles, inevitably forces confrontation. An ancient warrior, re-animated by science, must battle for his life. The film is beautiful, especially flashbacks to the samurai's past. No better than average acting is easily forgiven, because the imaginative script holds your interest. Recommended for anyone looking for something out of the ordinary. - MERK
This movie was pretty good, but not the best samurai movie. Hiroshi Fujioka, an excellent actor, did portray a samurai better than most actors have in past movies. Infact, Fujioka gave one of the best samurai performances of all time. He really knows his stuff. But it's the plot that keeps this movie from being one of the best samurai movies. And some of the acting is rather bad from Fujioka's supporting cast members. Hiroshi Fujioka is the main reason to see this movie. Mr. Fujioka used a REAL katana in this movie, which is rare in movies to use a real weapon.
American cryosurgeons tried to anatomize frozen body of Yoshimitsu Taga, the great samurai general of 400 years ago, then found he had been in suspended animation. Occasionally, a guard of the institution tries to steal the priceless katana(samurai sword) of resurrected warrior, to be slashed with the very treasure. Yoshimitsu wanders about modern American town, happens to slay street gangs with guns to save an old man. Yoshimitsu is living in laws and morals of ancient war age, so that is very natural to him. But cryosurgeons want to kill him secretly to avoid trouble, and of course, police force tries to shoot him down...You can easily see how silly the plot is, however, I recommend this film. The samurai in this film is REAL. Actor Hiroshi Fujioka is genuine sensei of swordsmanship, so he knows how to use katana and how a samurai think, feel and act in a strange situation. Fujioka's presence made this lame plot a memorable tragedy.Magnificent and sad music by Richard Band is another salvation of the feature.
