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The Bumstead family is off to see relatives in the country when Blondie runs into Charlie and Millie, an eloping couple needing her help.
Similar titles
Blondie
Blondie and Dagwood are about to celebrate their fifth wedding anniversary but this happy occasion is marred when the bumbling Dagwood gets himself involved in a scheme that is promising financial ruin for the Bumstead family.
Blondie's New York and the Making of Parallel Lines
The story behind Blondie's album Parallel Lines, which sold 16 million copies and captured the spirit of 1970s New York at a time of poverty, crime and an exploding artistic life.
Blondie Has Servant Trouble
Things get under way when Blondie Bumstead demands that her husband request a raise from his boss Mr. Dithers, so that she can afford to hire a maid. But Dithers has no time for any salary disputes: his construction firm is currently stuck with an unsaleable old mansion that is rumored to be haunted. To disprove this theory, Dithers asks the Bumstead family to spend a night in the crumbling old house, throwing a retinue of servants into the bargain.
Blondie on a Budget
Dagwood wants to join the trout club and Blondie wants a fur coat. Jealousy reigns when Dag's old girlfriend Joan shows up, but nothing else matters when a drawing at the movie theatre provides money for the coat.
It's a Great Life
Dagwood Bumstead, intending to buy a house, buys a horse instead. However, Dagwood quickly gets mixed up in a fox hunt, and Blondie must save the day.
CBGB
A look at New York's dynamic punk rock scene through the lens of the ground-breaking Lower East Side club started by eccentric Hilly Kristal in 1973 which launched thousands of bands.
Blondie: Eat to the Beat
Blondie's first video album was produced in conjunction with the record "Eat to the Beat", featuring a music video for each of the album's twelve songs. It was the first such project in rock music. Most of the songs were filmed in and around New York, the exception was the "Union City Blue" music video, which was filmed at Union Dry Dock, Weehawken, New Jersey. Each video was directed by David Mallet and produced by Paul Flattery. The video was initially available as a promotional VHS in 1979 and subsequently released on videocassette and videodisk in October 1980.