Alka Singh, the leader of a political party, and her obsessive love for Rohan Mehra, a rising star of Bollywood.
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the film revolver Rani written and directed by the same person Sai kabir is one of the worst film in the history of films,apart from script and story the acting is also below level, kangana's acting in other films is quiet good but in this film she has definitely let down her fans a big time, i am wondering how she accepted this silly role and this type of performance which was asked to perform by his director, frankly i literally abused myself after watching this rubbish make and those of you who want to watch it please don't even try to think, and if u really want to waste your time and money than what can i say
This is my first ever review on IMDb.After watching Revolver Rani ("RR"), I can be sure Sai Kabir (writer, director) had been looking for a producer like Tigmanshu Dhulia for a while. This is a work straight from the heart and feels like it too!The story of Revolver Rani, Alka Singh (Kangana Ranaut) takes place in India's dacoit heartland Chambal, where law has seldom held up. All characters have enough reason to be in the movie. Performances are up to the mark. The dialect spoken by the actors seems authentic. Starting with Kangana - she has played one of the most audacious female leads in Hindi cinema and has come away with flying colors. Vir Das plays the meatiest role of his Bollywood career in aspiring film star Rohan. His character adds most twists to the plot than anything else and thus is a very important one. Piyush Mishra has played many memorable roles by now and his role as Alka's mama in RR as well his contribution to the writing department will not go unnoticed. His character even writes speeches for politicians in the film, which is a tribute to his writing ability, as it was with Mishra's poetry scenes in Gulaal. The other baddies draw your resentment as required.The music does wonders for each scene - it heightens the drama, transforms wee Kangana into stupendous Alka, draws laughs from scenes with dark characters and many more. Usha Uthup's voice seems to be only female voice bold and deep enough to tell Revolver Rani's story, like it does in the opening credits. The opening credits animated scene (similar to that of Bullett Raja) is so cool, that my wallpaper is now stolen from it. In fact, I have found in Dhulia-produced Revolver Rani what I went looking for in Dhulia-directed Bullett Raja.This is the kind of story which deserves more than one film as its characters can actually do so much more than they did in RR. My suggestion is - make a sequel, no, a series... and print some Revolver Rani graphic novels too while you are at it! That is, if those bad guys let the much cussed-at Alka live in RR.
kangna plays a bold role in this movie and the supporting actors are also good. most of time is movie das have playing a good character is is just amazing act performed by him as the critics said this that theSometimes the characters die and film lives on. In some cases, the film dies, the character lives on. Sai Kabir's directorial debut Revolver Rani falls in the latter category. This Tigmanshu Dhulia's production venture is nothing, but the celebration of undying spirit of Revolver Rani played by Kangana Ranaut -- who is as aggressive as she is vulnerable. The film in the entirety fails, but not Revolver Rani, who's not only larger than life, but larger than the film itself. - See more at: you can also watch this movie on downloadkar.com which is most popular now days,
Director Mr. Sai Kabir work is very good. He was not bothered about right or wrong about general perception of hit film but he was celerity of mind regarding this film. Very small characters are justified well. Story is new and different. Screenplay is very good. Dialogues support the film well. Credit goes to writer and Director Mr. Sai Kabir. Neither the promo nor the title of the film was indicating any emotional quotient but this film has that emotional touch and in a very good way. A shot justifies the title well where just keeping the gun behind her palm, makes her heart beating again. I just loved this scene and concept. This film deserves sequel and makers have clearly justified it. Even very fine things and emotions are taken care in good way through scene and shots. Humor is placed in very subtle but appropriate way. Goon uses his lower part of Kurta for blowing air is one of such example. Performance wise Kangana Ranaut is out standing. Vir Das is OK. Piyush Mishra is very good. Jakir Hussain is fine. Music is OK and it gives the required support in emotional scenes.