George Hickenlooper failed most miserably here on all accounts - casting, music, scenery, action, probability, depth and morale. Nothing worked in this mesh-mash of Civil War, thriller, horror flick, erotica, mystical realm exploitation, quasi-psychology, drama and romance. Not a single actor shines here, even such heavyweights as Martin Sheen, Billy Bob Thornton or David Arquette do a very mediocre job here, at least slightly convincing, but generally very disturbing and even embarrassing. The very idea of this ghost brigade immediately slides into sleazy banality and deep clichés start appearing one after another. All those silver bullets, dark scenes, strange dreams, very vapid dialogs and laughable battle scenes make this film a real flop and a bomb. It does not hold, it never works.

The creative initial idea of an unstoppable army of Union and Confederate resurrected dead soldiers, gets trampled under the weight of it's limited budget, heavy handed direction, and chop shop editing. Many scenes are way too dark for interpretation of the action, while quite a bit of lines are garbled and incomprehensible. Character development is rushed and not acceptable. Other than the fresh concept of supernatural - Civil War genre mixing, there is little here to like. Billy Bob Thornton is wasted in a very small role, and Martin Sheen seems to be doing out takes from Gettysburg. "Grey Knight" should be considered more a curiosity than anything else, because it is simply too muddled and cannot be recommended as entertainment. - MERK

In the 1860s, during the American civil war. A Confederate regiment is wiped out in a brutal massacre, but their bodies are possessed by voodoo forces from Africa that were harbouring in an underground cave. They form an army of vampire-like zombies that terrorises not just the north, but also the south. Investigating this matter happens to be Capt. John Harling. He and along with some men (and a mute slave) are appointed to go out and take care of the problem. Unknowingly to them they will face something greater than they would believe. Reading about this particular shoot, I can see that the post-production was quite a handful for director George Hickenlooper and the film that was released was drastically cut by the producers. All of that material turns up in the director's cut labelled, "Grey Knight". This just happens to be the title of the VHS I just recently bought. Although, I've seen "The Killing Box" on TV a couple times, and honestly I couldn't tell the difference between the two. So, I guess I unluckily picked up the original release, which used one of its many titles. That figures! Director Hickenlooper would be best known for his riveting documentary called Heart of Darkness: A Filmmaker's Apocalypse, which looked at the making of "Apocalypse Now". On this occasion the results aren't so rosy, but here he still spins up an admirable little supernatural civil war offering. There are some inspired touches to "Apocalypse Now" and even Sam Peckinpah's minor western classic "Major Dundee". Despite the stimulating and rather interesting premise with its crackling voice-over by Pasdar. It just seems to promise more than it actually does hand out and it can get rather blurry in its intentions. A lack of depth and unbelievable reasoning can also add to the real emptiness created. The idea of this African folklore and the flashback imagery set in this unique setting are strikingly filtered into the film, but it can get contrived. Maybe all of this would be better expressed in the director's cut? The grafting direction isn't much better, with a real lack of flair; guidance and the incompetently staged battle scenes come across like hokey enactments. It really does buckle under its limited budget and comes across like a made for TV feature. Although, Hickenlooper has he moments like effectively demonstrating solid period details and an underling eeriness surrounding the unusual situation. Professionally crisp and showman-like photography makes it seem larger than it is and gives it a bit more scope. Probably too much for this type of production. Now just looking at the names involved, you'd think well this is going to be great. Not so. Most of the big names didn't get up too much. Martin Sheen and Billy Bob Thornton are nothing more than background features. Ray Wise gracefully hams it up as the crabby Col. George Thalman. Adrian Pasdar is capably sound as Capt. John Harling and his co-star Corbin Bernsen is equally so as Col. Nehemiah Strayn. Cynda Williams is fine as the mysterious mute slave Rebecca. Turning up also are David Arquette, Alexis Arquette and a blink and you'll miss role from Matt LeBlanc. "Grey Knights" is a very flawed feature that's not very exciting and probably bites off more then it could chew. One thing that bothers me though, was that it seems to lose something each time I watch it. However, the context and atmosphere is what will keep you watching this real quirky opus.

Set during the American civil war, The Killing Box tells the tale of a Union expedition sent to discover the fate of a group of Union soldiers slaughtered in bizarre circumstances. As the film progresses, it becomes evident that this slaughter isn't just an isolated incident, but rather a series of mass murders of both Union and Confederate soldiers. To complicate the expedition, the Union soldiers have to rely on the aid of a captured Union defector to help investigate the incident. Who or what can be responsible for these grizzly deaths? The Killing Box takes a fairly well-worn horror/supernatural concept, but turns the concept around by putting the film in the unique setting of the American civil war. The film and its concept had me hooked for the first fifteen minutes, although my attention began to slip away a bit from that point on once the "enemy" was revealed. Quite frankly, the "enemy" were very hokey, and didn't instill any real fear or suspense into the story. I've seen actors at a horror-themed dinner theatre inspire more terror than what the Union soldiers faced in The Killing Box.Overall The Killing Box tried to be an interesting war/horror hybrid, but fell short of the mark.5/10