One Last Dance is the story of T, a mysterious hit-man contracted by a local mob boss to kill the people responsible for the recent kidnapping and murder of said mob boss' son. However, things don't quite go according to plan, and as the bodies piles up, T finds himself questioning just how close to home his next target will be...Can you say cliché? Good, because that's what One Last Dance is almost exclusively made of. The characters are exaggerated types and the ordinary plot has delusions of grandeur. While the dialogue does have its moments, such as a particularly informative conversation on the finer points of making a cup of tea, most of it is faux-cool and decidedly average.The movie isn't helped by director Max Makowski either, with his unnecessary just-out-of-film-school camera tricks and gratuitous use of CGI for the smallest of things.Its saving grace is the performance of Francis Ng, who plays T with the right balance of world-weariness and romanticism essential for any hired killer, and when he's off-screen, you certainly notice his absence. Ng's T keeps holds your interest when the plot fails and keeps the film afloat.Good hit-man movies are stylish, smart, and cool, but for all its glossy trickery and pop-culture references, One Last Dance is not.

As I'm writing this review I keep asking myself, "Why should I like this film?" The plot line is hopelessly jumbled, the humor awkwardly rendered, some of the characters are just plain annoying, and the action leaves much to be desired. When looked at from a rational perspective, this film is a mess... but, it's a strangely compelling and enjoyable mess.Featuring a Chinese and American Cast, a Brazilian Director, and shot on location in Singapore, One Last Dance is the story of a kidnapping gone wrong. "T" (deliciously acted by Francis Ng), is a hit-man who is assigned to take out a gang of thugs lead by Ko (played annoyingly by Joseph Quek) who have kidnapped a tycoon's son. T is given his marks through small red envelopes called "lisees" which contain the name(s) of his next victim. Along the way T falls for the beautiful Mae (Vivian Hsu in a thankless role), not knowing she's the sister of Ko. When Ko's name shows up in one of T's Lisees, T faces a hard decision. To be sure there are a lot of things to like about One Last Dance. Francis Ng is mesmerizing as the disenchanted hit-man and helps save this production from its numerous faults. Harvey Keitel is good even though he's not given much to do. Also of note in a positive light, is the film's cinematography and soundtrack, competently filmed and masterfully scored, featuring Pakk Hui's amazing song "Broken Orange" (seriously the song is worth watching the film alone) which nestles its way inside your brain and refuses to come out for days.On the negative side, the film's humor is uneven and often irritating. One wishes they focused more on Francis Ng's character other than Joseph Quek, who attempts to provide the film with a dose of humor but misses the mark more often than not. Another annoyance is the films use of computer generated blood, which, quite simply, looks terrible. Not to mention the irregular plot. I know this film is meant to be "pieces of a puzzle" and as much as I admire the ambitious attempt it seems to needlessly clutter the production. Most people will need a second viewing to pick through all the overlapping and seemingly unrelated scenes to piece together the time line and plot.For all of it's faults, I still came away really liking One Last Dance. It's definitely an original piece of work, is entertaining, and features some scenes of true cinematic beauty. I just wished it was a better film.

The first local production for this year, it's a movie made with an international cast and crew, most notably, Asian film stars in Francis Ng, Ti Lung and Vivian Hsu, with a guest appearance by Harvey Keitel as an Italian mobster. It's no surprise that Raintree Pictures, in a bid to go regional and international, is holding nothing back to attract local and foreign talent to get them involved in locally produced movies. And I guess One Last Dance is such a fine example, helmed by upcoming Brazilian director Max Makowski.I would liked to have loved this movie wholeheartedly, but it's not an easy movie to follow, especially when it keeps to its tagline that it's a story made up of different jigsaw pieces, each telling a story of its own. There are many seemingly disparate scenes glued together thinly, and it'll be easy for the ordinary viewer, especially one with little patience, to get lost within the plot. The dialogue too seemed stifled, and sometimes you wonder just what the characters are driving at.The draw of this movie no doubt is Francis Ng. He's the "mental" guy who's truly deft in playing crazed characters, be they good or evil. Here, he's the calm, collected, and uber ruthless hit-man with a penchant for chess and never walks around with a loaded gun. He accepts deals anonymously via red "angpaos" dropped into a mailbox, containing just names of the prey (though you wonder how he actually gets paid). His opposite number is film legend Ti Lung, with whom he spars verbally, and on the chessboard. Forget about the other stars, as they are mostly bit parts, and the beautiful Vivian Hsu reduced to a pedestrian in a role that could have been played by any mediocre local actress. However, do keep a lookout for Joseph Quek. I'm surprised that he managed to snag a meaty role, and this will mark his second big screen outing after The High Cost of Living. Surely, an actor to keep tabs on, if he stars in subsequent movies.And I love the music, especially the theme song Broken Orange. It's now my earworm, and it constantly gets played over and over again in my head. The movie opens with the song, though I was perturbed that what was sung totally was out of sync with the English subtitles shown on screen, in an attempt to explain the meaning. Another pity too is that we got to watch the movie in the dubbed Mandarin track instead of its original Cantonese glory. I still rue for the day when HK movies are allowed to be shown in its native tongue, and get classified as a "foreign" movie, as do the French, German, Russian, Japanese, Korean, etc which do not get dubbed at all here.To make up for a relatively simple plot (when all is finally revealed), the movie relies heavily on its slick editing techniques to splice the narrative together. However, the CGI blood splatterfest seemed too artificial, as I thought the good ol' blood pack will suffice and still maintain certain visual beauty to it all.It almost lived up to its hype, but if you're a fan of Francis Ng, then my recommendation is to watch it. And don't be a dumb dork - stay until the end of the credits for THE GEM OF A SCENE. Many people during the gala didn't bother, what a pity!

A very well written story. The film gives a kaleidoscopic view of the underground world with an emerging focus on the role and life of individuals. The film provides reflections on deepest human emotions portrayed in a world where one does not expect such feelings to exist nor the desire to right wrongs. The film is challenging and a puzzle which slowly unfolds. Overall an interesting movie showing the more than two faces of the crime world. What We see is a sobering and even tragic picture of the crime world. There is fine acting and good selection of locations. For English speakers who must follow the translation some of the impact of the film in Cantonese may, unfortunately, not be fully appreciated.