Not copyrighted. A Paramount picture. New York opening at the Paramount 7 September 1938. U.S. release: 26 August 1938. Sydney opening at the Prince Edward, 19 November 1938 (ran 4 weeks). 110 minutes.SYNOPSIS: Russian salmon fisheries are on the agenda!NOTES: Special Academy Award "for outstanding achievement in creating Special Photographic and Sound Effects in the Paramount production, Spawn of the North. Special Effects by Gordon Jennings, assisted by Jan Domela, Dev Jennings, Irmin Roberts and Art Smith. Transparencies by Farciot Edouart, assisted by Loyal Griggs. Sound effects by Loren Ryder, assisted by Harry Mills, Louis H. Mesenkop and Walter Oberst".Re-made in 1954 as "Alaska Seas".COMMENT: A typically vigorous Henry Hathaway actioner, "Spawn of the North" is a powerful drama with some terrific action scenes and awesome location material brilliantly blended into the studio footage. Mind you, this studio footage isn't to be put down either, as all the players contribute excellent portrayals, particularly John Barrymore as a loquacious newspaper editor (well-named "Windy") and Lynne Overman as his "translater". Lamour is quite fetching, while Fonda, Raft, Tamiroff and Sokoloff also provide most agreeable character sketches. My only complaint is that the movie is a trifle over-long. The big fight scene occurs almost 30 minutes from the actual end of the picture. Slight trimming of this excess anti-climax would be helpful. The hero's dilemma is real and believable, even though the basic plot is one of the most commonly used in Hollywood movies. The characters also are thoroughly convincing, even though on paper they might be criticized as stereotypes. It's the way they are so skilfully and dramatically brought to life on the screen that counts. Hathaway's solid, punchy direction could not be bettered. Other technical credits are likewise first-rate. All told, this movie certainly comes across as gripping entertainment.

The opening music sounds like it could be from a jungle flick, though a title card calls attention to Old West parallels for fish pirates on the Alaskan frontier in the early 1900's. Prior to finding this film in a second hand shop, I had never heard of it, and to maintain the suspense, I didn't read the video sleeve, hoping that the combination of Fonda, Raft and Lamour would deliver. It's not too bad, set as it is in an unlikely venue of Arctic glaciers and salmon spawning grounds, with the Western parallel of good guys against bad guys only lacking the obligatory black hats.Henry Fonda and George Raft seem an unlikely duo to co-star, and each is acceptable in their respective assignments. Fonda's role as Jim Kimmerlee is a little more fleshed out and philosophical than Raft's Tyler Dawson. There's an interesting scene where Jim responds to Dian's (Louise Platt) lament over what she sees as naive for the native Indians to perform ceremonial prayer for a successful fish harvest. Jim points out that it's no more hypocritical than praying for rain when a farmer plants his wheat. I thought that was great.True to their respective natures, Jim's boat is 'Old Reliable', while Tyler Dawson's (Raft) is 'Who Cares', enough said subliminally to hint at what's going to happen. Interestingly, the 'pirates' of the film are cast as Russian thugs who raid the legal fishing nets, led by a seaman appropriately named 'Red' (Akim Tamiroff). When Dawson throws in with Red, it sets up a dramatic confrontation between Jim and Tyler that leads to Dawson's redemptive moment in the film's climax.Along the way, Dorothy Lamour and Louise Platt stand by their men, Dawson and Kimmerlee respectively, right or wrong. It's a different role for Lamour if you're used to her 'Road' pictures with Hope and Crosby. Platt has the kind of looks that will have you wondering where you've seen her before, but you probably haven't. She appeared in only a handful of films between 1939 and 1942, but one of them was John Ford's acclaimed Western epic "Stagecoach".True to his Western film roots, director Henry Hathaway called on a few veterans of the genre for supporting roles here. Fans will recognize Stanley Andrews, Duncan Renaldo and Fuzzy Knight, even though fishing boats replace stagecoaches."Spawn of the North" was recognized with an Oscar for Paramount's creation of special photographic and sound effects for the picture. The Academy might have also come up with something for the film's uncredited scene stealer, Slicker the sea lion. Every scene with Slicker was something special, the best being his team up with Fonda to put one over on Louise Platt's character, that was simply great!

This is a real good movie. Henry Fonda and George Raft Play the rival fishermen. Near the end of the movie George Raft is shot. While resting in bed he smokes a cigarette and the smoke comes up out of the bullet holes in his chest!? I remember when I was in high school. We were learning about first aid. The teacher told us about never giving a cigarette to an injury victim. Then he told us about a Humphrey Bogart movie where after being shot he smoked a cigarette and the smoke came out of his chest. I searched for years and found out it was the "Spawn of The North", With GEORGE RAFT not Bogart. Watch for this movie on AMC or TCM, just to see this scene. It is well worth watching, with fine acting and great scenery.

I've always looked on this film as a perfect blend of obvious location shooting for background very well integrated with the plot of the story which was done on the Paramount back-lot. The best part of the film is the footage of Alaska, of the Inuit, and even of the salmon going upstream to their demise.Looking at Henry Fonda and George Raft however is quite a contrast between a great actor and a personality. Raft's gangster persona is not quite right for this tale of best friends ending up on opposite sides of the law. Still he gives it his best shot and the results are more than adequate. However the best acted performance in this film without a doubt goes to Akim Tamiroff as the Russian fish pirate Red Skane. Skane is a swaggering thug and Tamiroff is perfect.Many years ago I saw Henry Fonda and he said he divided his films in two categories, those he did for art's sake and those he did for the money. Spawn of the North was one for the money, but still he was proud of it as entertainment. His Jim Kimmerlee does not belong in the category of his great parts like Mister Roberts or Oxbow Incident, but it still is a good piece of work. Fonda does the best he can with a part that doesn't call for him to do much, but be noble.Back in the 1930s location shooting was an expensive proposition and here Paramount did a superb job at masking the studio origins of the film. Looking at those shots with the fisherman against the backdrop of the glaciers and icebergs you really do think you're in Alaska. Great special effects here, especially in the climax which involves boats being crushed by icebergs.Nice entertainment and Dorothy Lamour does NOT wear a sarong.