Telling the story of his early life in flashback, a former prospector (Joel McCrea, with flashback sequences featuring son Jody) explains his brutal massacre of a tribe of Indians. The only survivor (Marie Gahua) agrees to lead him to a secret gold mine.
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One of the best of Starrett's low budget action-Pictures of the seventies, this intriguing Western was co-produced by its star, Jody (son of Joel)McCrea. Told in flashback by McCrea as an old man (played by Joel) as he reminisces about his past, McGregor's screenplay has McCrea and a bunch of prospectors slaughtering a band of Indians until the last one left, Gahva, promises to tell them the whereabouts of a gold mine and lead them there. On the way they are pursued by Gahva's brother, who murders them one by one (including director Starrett), until Gahva kills him to save McCrea.Ph. H.
When "Cry Blood, Apache" starts, you see the words 'Special Guest Star--Joel McCrea' splash across the screen. What, exactly, is a special guest star in a movie?! Oh well....you also see McCrea riding his horse and then reminiscing about something that had happened long ago. His role really is very limited--a tiny spot to introduce the film. It's also interesting to see that in this LONG flashback, Jody plays Joel as a young man.The flashback begins with a group of grubby white guys hanging out with some American-Indians. They're partying and acting friendly when suddenly, one of them kills one of the natives--and a killing frenzy begins. It seems these white guys want the Indians' gold...and to molest their women. Among the killers, only Pitcalin seems to perhaps be a decent man--a decent man caught up with a bunch of cut-throats. In addition to Pitcalin, there also is a lone native who comes upon the dead and vows revenge. He spends the rest of the film tracking them and planning on taking them out one at a time--and Pitcalin lends him some help in the process. This sort of plot was a HUGE departure from classic westerns, that's for sure--especially with its theme of rape and nudity.Despite the very salacious plot, the film is amazingly dull. The acting is also pretty amateurish and the film has little to offer. It's not a terrible movie--but I soon found myself losing interest and the payoff just didn't merit wasting this much of my life on the movie. Not horrible...just not good in any way.By the way, the Deacon (Jack Starrett) also directed this film. Also, you can assume Jody McCrea wasn't thrilled with the film, as he retired from filmmaking after this movie. Also, I have a few words about the DVD. The print is in really rough shape--degraded and faded. Also, a TMG is emblazoned across the screen periodically--perhaps in an effort to protect the film against unauthorized copying. However, who would want to copy this film and who would bother to enforce the copyright?! After all, this is a grade-D production at best.
This is one of the best comedy films I have ever seen. The story follows a bunch of amoral morons into the wild west. That may sound like a boring story, but it's told with such humor and madcap idiocy that one can't help but be entertained throughout the whole thing. The sight gags are pretty cool too. For example, the main Indian character, Cold Arm Warm Legs, wears a sweater with a breechcloth. This movie has it all - from stupid Bible misquotings, to Spanish speaking Indians, to a bathing woman and a love affair. In conclusion, you should stop reading this review and go buy this movie now!
A group of despicable treasure seekers murder a number of Indians and kidnap a girl with possible knowledge of a goldmine, forcing her Apache warrior brother to follow.This is basically one of co-star/director Jack Starrett's biker movies transported back in time to the old west with Jody McCrea in the all too familiar role of the sensitive outlaw surrounded by a bunch of degenerates. Watch McCrea and Robert Tessier in The Glory Stompers and you'll know what I'm talking about.Cry Blood, Apache is an okay but slow moving film, typical of the drive-in western in that it's short on plot and long on pessimism and sadism, this time with an ending that just doesn't ring true.It's strengths include good location photography, Jody McCrea's immense likability as an actor and the repulsiveness of villains Tessier and Starrett, who incidentally played the only American to date ever killed by Rambo!Joel McCrea makes a cameo appearance as the older version of his son Jody but I think he should have taken a cue from co-star Randolph Scott and retired after the success of Ride The High Country.