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Drifter Sam Bass shows up in Denton, Texas (soon to host a great horse race) looking for work. Before long, he attracts the attention of pretty storekeeper Katherine Egan (the sheriff's sister) and that wild frontiers woman, Calamity Jane. Circumstances make Sam richer by a very fast race horse. But his seemingly good luck with horses and women leads him to disaster. Will he be forced into a life of crime?

Yvonne De Carlo as  Calamity Jane
Howard Duff as  Sam Bass
Dorothy Hart as  Katherine Egan
Willard Parker as  Sheriff Will Egan
Norman Lloyd as  Jim Murphy
Lloyd Bridges as  Joel Collins
Marc Lawrence as  Dean
Houseley Stevenson as  Dakota
Milburn Stone as  Abe Jones
Clifton Young as  Link

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Reviews

weezeralfalfa
1949/09/20

Yvonne de Carlo has to share Howard Duff's(Sam Bass) romantic interest with Dorothy Hart(Kathy Egan) in this Technicolor 'B' western, directed by the talented 'B' picture specialist George Sherman. Obviously, Dorothy was characterized as 'the good girl', while Yvonne, as Calamity Jane, was characterized as 'the bad girl'. Both fell in love with the handsome, but dirt poor, Bass almost immediately. Calamity more dominates the 2nd half, while Kathy is more influential in the first half. Director Sherman ordered some great close-ups of Yvonne's face, especially toward the end. For a more fun western costarring Yvonne, I recommend "Frontier Gal". Both these films are currently available at YouTube. I disagree with the paragraph under 'Trivia' at this site, which claims that there is little historically accurate information about Bass in this film. The inclusion of the 2 women is the greatest fictional component. As mentioned in the film, Bass was raised on an Indiana farm, and gradually made his way south and west, finally to Denton, TX. He did work for Sheriff Will Egan on his ranch, saved his money and bought an excellent race horse, named 'the Denton Mare'. He won some races with her and was skilled in other bets on horses. Later, he did get into robbing stages, trains, and banks. The dramatized train robbery at Big Spring Station closely duplicates the details of what actually happened, including the wood boxes holding a fortune in gold coins. His fatal attempt at robbing the Round Rock bank is also dramatized.Howard Keel, as Bass, doesn't present the sort of charisma a John Wayne or Gary Cooper would, but he does an adequate job. Yvonne makes a striking, if quite unreal, facsimile of Calamity.

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alexandre michel liberman (tmwest)
1949/09/21

Sometimes you feel a film counts more for its nostalgic values than for its merits. And this western is worth seeing just for that, and also for its great Technicolor. From the days of my youth when I read comics I learned that Sam Bass was quite a mean guy. Here he is a hero , but a doomed hero because no outlaw could get away from Hollywood's moral code. Anyway you root for him as you feel he is getting every time into more trouble specially because of his taste for horse races. I am not a a fan of Yvonne de Carlo, she was the star in two awful westerns "Frontier Gal" and "Salome, where she danced", but here she manages to let Howard Duff as Sam Bass be the main character even though Calamity Jane comes first in the title. Lloyd Bridges is Sam's friend, Joel Collins. George Sherman, besides directing wrote the film's story.

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dbdumonteil
1949/09/22

This is an offbeat western ,one of the rare ones which does not have a Hollywood happy end . The screenplay features historical characters ,including Calamity Jane ,played by the wonderful Yvonne De Carlo ,who is as much at ease in the part of a Wild West girl as she is when she 's Countess of Castiglione or Mosis's wife .According to IMDb reliable source ,the two "heroes" never met in real life ,but it does not matter.In the movie,Sam is a born loser,illiterate ,deprived of his money by a wicked uncle,and a dreaming man .All he does backfires on him and even with the help of two women in love with him,he is pursued by fate .Against all odds ,he does believe his mare is still alive but the pursuit of his dream is in vain.Howard Duff 's wooden acting does not get in the way for his character becomes an outlaw by accident and most of the time,he is overtaken by events.

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lyon5
1949/09/23

This is largely an unremarkable little film, with mostly wooden performances typical of the time in which it was made, but it does show how easy it is for a man to take the wrong turning through no fault of his own, when circumstances beyond his control provide no other option.

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