Damien, a London copper has a past he's trying to forget. Before joining the force he ran with a football firm, getting involved in tear-ups up and down the country. Now he's on the other side of the law and faces a tough decision, side with his old crew or protect London as it burns and rioters run amok. Falling in love with fellow cop Louise, he is quickly alerted to a street-level uprising that is about to shake London. Amidst the brutalities presented by the riots, he fights for justice at Louise's expense. Having been raped by a rioter known to him, Damien finds himself levelling with the rioters, fighting a war he cannot win, as much against the rioters as against himself.
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Not the rating here on IMDb at this moment. Though it's higher than the 3 points/stars that another reviewer mentioned I was surprised this being under 5 at the time of writing. But I guess people might get fed up with movies about hooligans (though to reduce this to just that would be unfair to the movie).Maybe it's the time-line and the jumping around events that got people annoyed, it's tough to say. Though I have to admit the "german" title for the movie is pretty "simple" - London Pitbulls - I don't think it makes any difference in the rating here. The main actor might not always be up to the task (a bit over the top, not enough charisma to pull certain things off), but the story itself is still worth watching
There is absolutely nothing to commend about this film other than the main storyline which is not reflected by the title of the movie.For me, the main story theme was not about riot at all but about the damage football violence had done to two families, Damien the cop and his girlfriend cop Louise. Louise lived with her physically and psychologically affected ex-cop Father and Damiens Father was in prison as a result of violence which had a football-related history, a middle aged thug who refused to let go of the past.All the other bits of storyline within did not connect to that at all and the only riot was a bunch of hoodlums towards the end in a shopping mall, can hardly be called a riot on the scale portrayed in the opening clips of the movie.The confrontation between characters played by both Nick Nevern and Peter Barrett has been a common theme in many of the Paul Tanter films. Though I understand he did not direct this movie, he did produce it and he did act in it.Nick Nevern I feel needs to move on. He is a sort of passive Jason Statham and has the potential to step up.Paul Tanter needs to move on too. Football violence in the UK has moved on since the 1990s, just as Northern Ireland has for different reasons, and the film could have been directed and produced in a different way for a much more receptive and appreciative audience.Making a film on principle to include sex violence and bad language does not mean as a movie fan I always want salt and vinegar and dollups of tomato ketchup on my fish and chips!
G.B.H wasn't entirely irredeemable, Nick Nevern did have a great brooding intensity that he brought to his lead character, and Kellie Shirley(whose acting has grown since her stint on EastEnders) is affecting. For me though, that's it for the saving graces. The rest of the acting is poor, Steven Berkoff for example doesn't seem to have a clue as to what to do and how to play his role. Though in all fairness they weren't helped at all by sketchily written characters that were largely sidelined throughout the film, the juiciest side character was Con O'Neill's but that is not saying very much. The dialogue resorts to a lot of clichéd banter, while the way G.B.H is shot looks cobbled together(like some of it was done in one stretch with a gap and then in another stretch after). And I do have to agree about the wildly inaccurate portrayal of the police force, it is not only inaccurate but completely unbelievable too. There was a good story in G.B.H somewhere, no matter how many times we've seen its plot points on other films and television shows, the structure was just so clumsy and disorganised with no tension that that potential didn't ever come out. It was also very difficult to be drawn in by, it was purposefully grim and bleak which is not a problem in any way, it was just dealt with in such a tedious and heavy-handed way that the tone was more wearying(and increasingly so) and overly-aggressive in alternative to tense and properly involving. Overall, apart from the leads I found it by difficult to be drawn in by G.B.H. 2/10 Bethany Cox
As of this writing, this film is sitting at a sub-3 star rating. Seriously? Sure the film's got it's problems, but it's pretty well written, pretty well acted, and solidly put together. Maybe England is going through a rash of hooligan films that I'm not aware of and this was the straw that broke the camel's back? That...or people are just kind of idiots.OK, maybe idiots is a harsh term as there's no accounting for taste, but this film actually works pretty well on most levels. It moves along at a good clip, the characters develop well, and the story is though out. My only real gripe is the way the film jumps around between certain scenes. There's a bit of that "three weeks earlier" crap that makes it a bit hard to follow at times. But on the whole I'd say it's at least worth a watch.